Poetry Terminology: iambic tetrameter; iambic trimeter; etc.

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• Writing Poetry Explications (including "Basic Terms for Talking about Meter") -
  • "A poetry explication is a relatively short analysis which describes the possible meanings and relationships of the words, images, and other small units that make up a poem. Writing an explication is an effective way for a reader to connect a poem's plot and conflicts with its structural features. This handout reviews some of the important techniques of approaching and writing a poetry explication, and includes parts of two sample explications."
  • http://www.unc.edu/depts/wcweb/handouts/poetry-explication.html

• How to Scan A Poem
  • http://www.du.edu/~ckuhn/lit/scansion.htm

• Specialist Dictionaries on Literature: http://www.yourdictionary.com/diction5.html#literature

• The Literatary Dictionary: http://www.geocities.com/SoHo/Lofts/2297/literary.html

WH Auden

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

• A Small Anthology of Poems - http://www.wmich.edu/english/tchg/lit/pms/index.html
• Auden - http://audensociety.org/poems.html
• Auden - http://redfrog.norconnect.no/~poems/poets/w_h_auden.html
• Poets Index - http://redfrog.norconnect.no/~poems/poets/index.html

• "Twelve Songs" - WH Auden
  • http://poetry.nanvaent.org/vl/poem.asp?id=67

• "Refugee Blues" - WH Auden
  • http://poetry.nanvaent.org/vl/poem.asp?id=105

• "Musee des Beaux Arts" - WH Auden
  • http://poetry.nanvaent.org/vl/poem.asp?id=78

• "The Unknown Citizen" - WH Auden
  • http://poetry.nanvaent.org/vl/poem.asp?id=89

• "It's no use raising a shout." - WH Auden
  • http://www.csd.net/~connect2/quotes2.html
  • http://www.angelfire.com/bc/dreamland/poems.html

  • It's no use raising a shout.
    No, Honey, you can cut that right out.
    I don't want any more hugs;
    Make me some fresh tea, fetch me some rugs.
    Here am I, here are you:
    But what does it mean? What are we going to do?
    
    It wasn't always like this? 
    Perhaps it wasn't, but it is. 
    Put the car away; when life fails, 
    What's the good of going to Wales? 
    Here am I, here are you; 
    But what does it mean? What are we going to do? 
    
    A long time ago I told my mother
    I was leaving home to find another:
    I never answered her letter
    But I never found a better.
    Here am I, here are you:
    But what does it mean? What are we going to do?
    
    In my spine there was a base;
    And I knew the general's face:
    But they've severed all the wires,
    And I can't tell what the general desires.
    Here am I, here are you:
    But what does it mean? What are we going to do?
    
    In my veins there is a wish,
    And a memory of fish:
    When I lie crying on the floor,
    It says, "You've often done this before."
    Here am I, here are you:
    But what does it mean? What are we going to do?
    
    A bird used to visit this shore:
    It isn't going to come any more.
    I've come a very long way to prove
    No land, no water, and no love.
    Here am I, here are you:
    But what does it mean? What are we going to do?
    

  ---

• "We Too Had Known Golden Hours" - WH Auden
  • http://poetry.nanvaent.org/vl/poem.asp?id=89

  ---

• "The Average" - WH Auden
  • http://au.answers.yahoo.com/question/index.php?qid=20070606153057AAzgii5

  His peasant parents killed themselves with toil
  To let their darling leave a stingy soil
  For any of those smart professions which
  Encourage shallow breathing, and grow rich.
  
  The pressure of their fond ambition made
  Their shy and country-loving child afraid
  No sensible career was good enough,
  Only a hero could deserve such love.
  
  So here he was without maps or supplies,
  A hundred miles from any decent town;
  The desert glares into his blood-shot eyes;
  
  The silence roared displeasure: looking down,
  He saw the shadow of an Average Man
  Attempting the exceptional, and ran.
  

  ---

• "September 1, 1939" - WH Auden (From Another Time by W. H. Auden)
  • http://www.poets.org/poems/poems.cfm?prmID=1391
  • http://www.cs.rice.edu/~ssiyer/minstrels/poems/889.html

  I sit in one of the dives
  On Fifty-second Street
  Uncertain and afraid
  As the clever hopes expire
  Of a low dishonest decade:
  Waves of anger and fear
  Circulate over the bright 
  And darkened lands of the earth,
  Obsessing our private lives;
  The unmentionable odour of death
  Offends the September night.
  
  Accurate scholarship can 
  Unearth the whole offence
  From Luther until now
  That has driven a culture mad,
  Find what occurred at Linz,
  What huge imago made
  A psychopathic god:
  I and the public know
  What all schoolchildren learn,
  Those to whom evil is done
  Do evil in return. 
  
  Exiled Thucydides knew
  All that a speech can say
  About Democracy,
  And what dictators do,
  The elderly rubbish they talk
  To an apathetic grave;
  Analysed all in his book,
  The enlightenment driven away,
  The habit-forming pain,
  Mismanagement and grief:
  We must suffer them all again.
  
  Into this neutral air
  Where blind skyscrapers use
  Their full height to proclaim
  The strength of Collective Man,
  Each language pours its vain
  Competitive excuse:
  But who can live for long
  In an euphoric dream;
  Out of the mirror they stare,
  Imperialism's face
  And the international wrong.
  
  Faces along the bar
  Cling to their average day:
  The lights must never go out,
  The music must always play,
  All the conventions conspire 
  To make this fort assume
  The furniture of home;
  Lest we should see where we are,
  Lost in a haunted wood,
  Children afraid of the night
  Who have never been happy or good.
  
  The windiest militant trash
  Important Persons shout
  Is not so crude as our wish:
  What mad Nijinsky wrote
  About Diaghilev
  Is true of the normal heart;
  For the error bred in the bone
  Of each woman and each man
  Craves what it cannot have,
  Not universal love
  But to be loved alone.
  
  From the conservative dark
  Into the ethical life
  The dense commuters come,
  Repeating their morning vow;
  "I will be true to the wife,
  I'll concentrate more on my work,"
  And helpless governors wake
  To resume their compulsory game:
  Who can release them now,
  Who can reach the deaf,
  Who can speak for the dumb?
  
  All I have is a voice
  To undo the folded lie,
  The romantic lie in the brain
  Of the sensual man-in-the-street
  And the lie of Authority
  Whose buildings grope the sky:
  There is no such thing as the State
  And no one exists alone;
  Hunger allows no choice
  To the citizen or the police;
  We must love one another or die.
  
  Defenceless under the night
  Our world in stupor lies;
  Yet, dotted everywhere,
  Ironic points of light
  Flash out wherever the Just
  Exchange their messages:
  May I, composed like them
  Of Eros and of dust,
  Beleaguered by the same
  Negation and despair,
  Show an affirming flame.
  

James Shirley (1596-1666)

• James Shirley (1596-1666) - Death the Leveller
  (excerpt from "The Contention of Ajax and Ulysses") http://sailor.gutenberg.org/etext98/pgbev10.txt

  THE glories of our blood and state
    Are shadows, not substantial things;
  There is no armour against Fate;
    Death lays his icy hand on kings:
          Sceptre and Crown
          Must tumble down,
    And in the dust be equal made
  With the poor crooked scythe and spade.
  
  Some men with swords may reap the field,
    And plant fresh laurels where they kill:
  But their strong nerves at last must yield;
    They tame but one another still:
          Early or late
          They stoop to fate,
  And must give up their murmuring breath
  When they, pale captives, creep to death.
  
  The garlands wither on your brow,
    Then boast no more your mighty deeds!
  Upon Death's purple altar now
    See where the victor-victim bleeds.
          Your heads must come
          To the cold tomb:
  Only the actions of the just
  Smell sweet and blossom in their dust.
  

Jonathon Swift (1667-1745)

• Jonathon Swift (1667-1745) - A Satirical Elegy on the Death of a Late Famous General
  http://www.library.utoronto.ca/www/utel/RP/poems/swift1b.html

  "His Grace! impossible! what, dead!
  Of old age too, and in his bed!
  And could that mighty warrior fall,
  And so inglorious, after all?
  Well, since he's gone, no matter how,
  The last loud trump must wake him now;
  And, trust me, as the noise grows stronger,
  He'd wish to sleep a little longer.
  And could he be indeed so old
  As by the newspapers we're told?
  Threescore, I think, is pretty high;
  'Twas time in conscience he should die!
  This world he cumber'd long enough;
  He burnt his candle to the snuff;
  And that's the reason, some folks think,
  He left behind so great a stink.
  Behold his funeral appears,
  Nor widows' sighs, nor orphans' tears,
  Wont at such times each heart to pierce,
  Attend the progress of his hearse.
  But what of that? his friends may say,
  He had those honours in his day.
  True to his profit and his pride,
  He made them weep before he died
  
  Come hither, all ye empty things!
  Ye bubbles rais'd by breath of kings!
  Who float upon the tide of state;
  Come hither, and behold your fate!
  Let pride be taught by this rebuke,
  How very mean a thing's a duke;
  From all his ill-got honours flung,
  Turn'd to that dirt from whence he sprung"

John Dowland (1563 - 1626)

• John Dowland (1563 - 1626)

• John Dowland Links
  http://www.mala.bc.ca/~mcneil/dowland.htm
• John Dowland Biography
  http://www.hnh.com/composer/dowland.htm
• John Dowland Webpage
  http://neusis.gr/musesgardin/dowland/
• In Darkness Let Me Dwell
  http://www.cis.ufl.edu/~ejr/poetry/John_Dowland_(1563-1626),_actually_a_madrigal,_but_hey.../In_Darkness_Let_Me_Dwell.html

  In darkness let me dwell,
  The ground, the ground shall sorrow,
          sorrow be;
  The roof Despair to bar all, 
          all cheerful light from me;
  The walls of marble black that moisten'd, 
          that moisten'd still shall weep,
          still shall weep;
  My music, my music hellish,
          hellish jarring sounds,
          jarring, jarring sounds to banish,
          banish friendly sleep.
  Thus wedded to my woes 
          and bedded to my tomb,
  O let me living die, 
  O let me living, 
          O let me living, living die,
  Till death, till death do come,
          till death, till death do come,
                  till death do come.
  In darkness let me dwell.

Robert Graves

• Robert Graves - "FAIRIES AND FUSILIERS", Columbia University http://www.columbia.edu/acis/bartleby/graves/ | http://www.bartleby.com/120/index.html
  • 1915

  • I've watched the Seasons passing slow, so slow,
    In the fields between La Bassée and Bethune;
    Primroses and the first warm day of Spring,
    Red poppy floods of June,
    August, and yellowing Autumn, so
    To Winter nights knee-deep in mud or snow,
    And you've been everything.
    
    Dear, you've been everything that I most lack
    In these soul-deadening trenches - pictures, books,
    Music, the quiet of an English wood,
    Beautiful comrade-looks,
    The narrow, bouldered mountain-track,
    The broad, full-bosomed ocean, green and black,
    And Peace, and all that’s good.
    

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

• When I'm Killed

• WHEN I’m killed, don’t think of me
  Buried there in Cambrin Wood,
  Nor as in Zion think of me
  With the Intolerable Good.
  And there’s one thing that I know well,
  I’m damned if I’ll be damned to Hell!
   
  So when I’m killed, don’t wait for me,
  Walking the dim corridor;
  In Heaven or Hell, don’t wait for me,
  Or you must wait for evermore.
  You’ll find me buried, living-dead
  In these verses that you’ve read.
   
  So when I’m killed, don’t mourn for me,
  Shot, poor lad, so bold and young,
  Killed and gone - don’t mourn for me.
  On your lips my life is hung:
  O friends and lovers, you can save
  Your playfellow from the grave.
  

• She Tells Her Love While Half Asleep: http://www.wmich.edu/english/tchg/lit/pms/graves.tellslove.html

  She tells her love while half asleep, 
          In the dark hours, 
   With half-words whispered low: 
   As Earth stirs in her winter sleep 
   And puts out grass and flowers 
          Despite the snow, 
       Despite the falling snow.

Siegfried Sassoon

• Siegfried Sassoon - Poetry at Bartleby Library, Columbia University http://www.columbia.edu/acis/bartleby/sassoon/ | http://www.bartleby.com/
  • ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
  • Died of Wounds
  • Counter-Attack
  • Dreamers
  • How to Die

• On Passing the New Menin Gate by Siegfried Sassoon (1886 - 1967)
  • At http://www.geocities.com/~worldwar1/passing.html

On Passing the New Menin Gate by Siegfried Sassoon (1886 - 1967)

Who will remember, passing through this Gate,
the unheroic dead who fed the guns ?
Who shall absolve the foulness of their fate, -
Those doomed, conscripted, unvictorious ones ?
    Crudely renewed, the Salient holds its own.
    Paid are its dim defenders by this pomp;
    Paid, with a pile of peace-complacent stone,
    The armies who endured that sullen swamp.

Here was the world's worst wound. And here with pride
'Their name liveth for ever', the Gateway claims.
Was ever an immolation so belied
as these intolerably nameless names ?
Well might the Dead who struggled in the slime
Rise and deride this sepulchre of crime.

• 'They' by Siegfried Sassoon (1886 - 1967)
  • At http://www.photoaspects.com/chesil/war/they.html

'They' by Siegfried Sassoon (1886 - 1967)

     The Bishop tells us: `When the boys come back 
     They will not be the same; for they'll have fought 
     In a just cause: they lead the last attack 
     On Anti-Christ; their comrades' blood has bought 
     New right to breed an honourable race,
      They have challenged Death and dared him face to face.'
      
     `We're none of us the same!' the boys reply. 
     `For George lost both his legs; and Bill's stone blind; 
     Poor Jim's shot through the lungs and like to die; 
     And Bert's gone syphilitic: you'll not find 
     A chap who's served that hasn't found some change.' 
     And the Bishop said: `The ways of God are strange!'

• Glory of Women by Siegfried Sassoon (1886 - 1967)
  • At http://www.photoaspects.com/chesil/war/glory.html

Glory of Women by Siegfried Sassoon (1886 - 1967)

You love us when we're heroes, home on leave, 
Or wounded in a mentionable place. 
You worship decorations; you believe 
That chivalry redeems the war's disgrace. 
You make us shells. You listen with delight, 
By tales of dirt and danger fondly thrilled. 
You crown our distant ardours while we fight, 
And mourn our laurelled memories when we're killed. 
You can't believe that British troops 'retire' 
When hell's last horror breaks them, and they run, 
Trampling the terrible corpses--blind with blood. 
O German mother dreaming by the fire, 
While you are knitting socks to send your son 
His face is trodden deeper in the mud. 

Wilfred Owen

• Lost Poets of the Great War (electronic book) - http://www.cc.emory.edu/ENGLISH/LostPoets/
• Trenches on the Web - http://www.worldwar1.com
• Owen and W.B. Yeats - http://www.emory.edu/ENGLISH/LostPoets/Yeats.html
• A Wilfred Owen Page by Eric Laermans - http://home.tiscalinet.be/ericlaermans/cultural/owen.html
• Wilfred Owen (1893-Nov. 4, 1918) - SELECTED POETRY OF WILFRED OWEN http://library.utoronto.ca/www/utel/rp/authors/owen.html
  • Futility

  "Move him into the sun--
  Gently its touch awoke him once,
  At home, whispering of fields unsown.
  Always it awoke him, even in France,
  Until this morning and this snow.
  If anything might rouse him now
  The kind old sun will know.
  
  Think how it wakes the seeds--
  Woke, once, the clays of a cold star.
  Are limbs so dear-achieved, are sides
  Full-nerved,--still warm,--too hard to stir?
  Was it for this the clay grew tall?
  --O what made fatuous sunbeams toil
  To break earth's sleep at all?"

• Greater Love

  "Red lips are not so red
  As the stained stones kissed by the English dead.
  Kindness of wooed and wooer
  Seems shame to their love pure.
  O Love, your eyes lose lure
  When I behold eyes blinded in my stead!
  
  Your slender attitude
  Trembles not exquisite like limbs knife-skewed,
  Rolling and rolling there
  Where God seems not to care;
  Till the firece love they bear
  Cramps them in death's extreme decrepitude
  
  Your voice sings not to soft,-
  Though even as wind murmuring through raftered loft,-
  Your dear voice is not dear,
  Gentle, and evening clear,
  As theirs whom none now hear,
  Now earth has stopped their piteous mouths that coughed.
  
  Heart, you were never hot
  Nor large, nor full like hearts made great with shot;
  And though your hand be pale,
  Paler are all which trail
  Your cross through flame and hail:
  Weep, you may weep, for you may touch them not."

• Apologia Pro Pemate Meo

  "I, too saw God through mud,-
  The mud that cracked on cheeks when wretches smiled.
  War brought more glory to their eyes than blood,
  And gave their laughs more glee than shakes a child.
  
  Merry it was to laugh there-
  When death becomes absurd and life absurder.
  For power was on us as we slashed bones bare
  Not to feel sickness or remorse or murder.
  
  I, too, have dropped off fear-
  Behind the barrage, dead as my platoon,
  And sailed by spirit surging light and clear
  Past the entanglement where hopes lay strewn;
  
  And witnessed exultation-
  Faces that used to curse me, scowl for scowl,
  Shine and lift up with passion of oblation,
  Seraphic for an hour; though they were foul.
  
  I have made fellowships-
  Untold of happy lovers in old song.
  For love is not the binding of fair lips
  With the soft silk of eyes that look and long.
  
  By Joy, whoe ribbon slips,-
  But wound the war's hard wire whose stakes are strong;
  Bound with the bandage of the arm that drips;
  Knit in the webbing of the rifle-throng.
  
  I have perceived much beauty
  In the hoarse oaths that kept our courage straight;
  Heard music in the silentness of duty;
  Found peace where shell-storms spouted reddist spate.
  
  Nethertheless, except you share
  With them in hell the sorrowful dark of hell,
  Whose world is but the trembling of a flare,
  And heaven but as the highway for a shell,
  
  You shall not hear their mirth:
  You shall not come to think them well content
  By any jest of mine.  These men are worth
  Your tears.  You are not worth their merriment."
  
  November 1917

• Mental Cases

  "Who are these?  Why sit they here in twilight?
  Wherefore rock they, purgatorial shadows,
  Drooping tongues from jaws that slob their relish,
  Baring teeth that leer like skulls' teeth wicked?
  Stroke on stroke of pain,-but what slow panic,
  Gouged these chasms rough their fretted sockets?
  Ever from their hair and through their hands' palms
  Misery swelters.  Surely we have perished
  Sleeping, and walk hell; but who these hellish?
  
  -These are men whose minds the Dead have ravished.
  Memory fingers in their hair of murders,
  Multitudinous murders they once witnessed.
  Wading sloughs of flesh these helpless wander,
  Treading blood from lungs that had loved laughter.
  Always they must see these things and hear them,
  Batter of guns and shatter of flying muscles,
  Carnage incomparable, and human squander
  Rucked too thick for these men's extrication.
  
  Therefore still their eyeballs shrink tormented
  Back into their brains, because on their sense
  Sunlight seems a blook-smear; bight comes blood-black;
  Dawn breaks open like a wound that bleeds afresh.
  -Thus their heads wear this hilarious, hideous,
  Awful falseness of set-smiling corpses.
  -Thus their hands are plucking at each other;
  Picking at the rope-knouts of their scourging;
  Snatching after us who smote them, brother,
  Pawing us who dealt them war and madness."

Frederick Niven

• A Carol from Flanders
• Refer - http://www.hymnsandcarolsofchristmas.com/Poetry/a_carol_from_flanders.htm

A Carol from Flanders

In Flanders on the Christmas morn
The trenched foemen lay,
the German and the Briton born,
And it was Christmas Day.

The red sun rose on fields accurst,
The gray fog fled away;
But neither cared to fire the first,
For it was Christmas Day!

They called from each to each across
The hideous disarray,
For terrible has been their loss:
"Oh, this is Christmas Day!"

Their rifles all they set aside,
One impulse to obey;
'Twas just the men on either side,
Just men -- and Christmas Day.

They dug the graves for all their dead
And over them did pray:
And Englishmen and Germans said:
"How strange a Christmas Day!"

Between the trenches then they met,
Shook hands, and e'en did play
At games on which their hearts were set
On happy Christmas Day.

Not all the emperors and kings,
Financiers and they
Who rule us could prevent these things --
For it was Christmas Day.

Oh ye who read this truthful rime
From Flanders, kneel and say:
God speed the time when every day
Shall be as Christmas Day.

Constantine P. Cavafy

• http://users.hol.gr/~barbanis/cavafy/

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

• Waiting for the Barbarians (1904)
• Refer - http://users.hol.gr/~barbanis/cavafy/barbarians.html

• Ithaca (1911)
• Refer - http://users.hol.gr/~barbanis/cavafy/ithaca.html

A.E. Houseman

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• Refer - http://www.vanceandheather.com/houseman.html

• "Alfred Edward Housman was born in a village in rural Shropshire, England in 1859. As a student at Oxford, he distinguished himself as a promising scholar of classics, though crises of a personal nature caused him to fail his final exams. Housman was determined to overcome this failing. When not working at the British Patent office Housman wrote scholarly articles, and published many of them to very high regard from those in academic circles. He was invited to teach at the University of London as a professor of Latin, and soon stepped up to Cambridge University, to retire to the life of a shy academic. He published only two volumes of poetry -- A Shropshire Lad in 1898 and Last Poems in 1922 -- yet these were instantly and enormously popular. However successful he was, the tone of his poems remained that of the Latin poets he admired: that life is short and often, inexplicably, comes to a bad end.
  He died in 1936. "

• Epitaph on an Army of Mercenaries
• Refer - http://www.student.informatik.tu-darmstadt.de/~andreasf/gedichte-ecke/aeh_epitaph.html
• Refer - http://www.vanceandheather.com/houseman.html
• by A. E. Houseman 1914. (in the square at Mons 22nd August 1914) - http://www.wargames.co.uk/Poems/Houseman.html

• Epitaph on an Army of Mercenaries 
  
  These, in the day when heaven was falling, 
  the hour when earth's foundation fled, 
  followed their mercenary calling 
  and took their wages and are dead. 
  
  Their shoulders held the sky suspended; 
  they stood, and earth's foundation stay; 
  what God abandoned, these defended, 
  and saved the sum of things for pay. 
  

• Hugh McDiarmid
  
  (Christopher Murray Grieve) (1892-1978)
  
  ANOTHER EPITAPH ON AN ARMY OF MERCENARIES
  
  (In reply to A. E. Housman)
  
  It is a God-damned lie to say that these
  Saved, or knew, anything worth any man's pride.
  They were professional murderers and they took
  Their blood money and their imperious risks and died.
  In spite of all their kind some elements of worth
  With  difficulty persist and and there on earth.
  
  (1935)

• THE Laws of God... by A. E. Housman
• Refer - http://www.allspirit.co.uk/housman.html

THE Laws of God...

THE laws of God, the laws of man,
He may keep that will and can;
Not I: let God and man decree
Laws for themselves and not for me;
And if my ways are not as theirs
Let them mind their own affairs.
Their deeds I judge and much condemn,
Yet when did I make laws for them?
Please yourselves, say I , and they
Need only look the other way.
But no, they will not; they must still
Wrest their neighbour to their will,
And make me dance as they desire
With jail and gallows and hell-fire.
And how am I to face the odds
Of man's bedevilment and God's?
I, a stranger and afraid
In a world I never made.
They will be master, right or wrong;
Though both are foolish, both are strong.
And since, my soul, we cannot fly
To Saturn nor to Mercury,
Keep we must, if keep we can,
These foreign laws of God and man. 

Al Young

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• Chemistry (1968)
• Refer - http://www.orbit.org/post/

Jyoti Shankar

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• The Day of Judgement!
• Refer - http://www.orbit.org/post/

John Betjeman (1906 - 1984)

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• The Betjeman Society - http://www.johnbetjeman.com/
• The Betjeman Archives - http://library.usask.ca/spcol/collections/092e.html
• John Betjeman links - http://www.johnbetjeman.com/otherlin.htm
• Sir John Betjeman Biography - http://www.metroland.org/Metro-Land/John_Betjeman/john_betjeman.html
• The Poetry Society (UK based) - http://www.poetrysoc.com/
• The Poetry Society (UK based) - http://www.poetrysoc.com/cafe/cafeind.htm
  • Situated in a quiet residential street, just five minutes from Covent Garden, London

• Business Girls by John Betjeman
• Refer - http://www.kategreen.org.uk/Business%20Girls.htm

•     From the geyser ventilators
     Autumn winds are blowing down
      On a thousand business women
      Having baths in Camden Town.
  
     Waste pipes chuckle into runnels,
     Steam’s escaping here and there,
   Morning trains through Camden cutting
    Shake the Crescent and the Square.
  
      Early nip of changeful autumn,
   Dahlias glimpsed through garden doors,
     At the back precarious bathrooms
       Jutting out from upper floors;
  
      And behind their frail partitions
       Business women lie and soak,
    Seeing through the draughty skylight
     Flying clouds and railway smoke.
  
    Rest you there, poor unbelov’d ones,
        Lap your loneliness in heat.
      All too soon the tiny breakfast,
       Trolley-bus and windy street!
  

• Slough - 1937
  • ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• "John Betjeman published his poem about Slough in 1937 in the collected works "Continual Dew". Slough was becoming increasingly industrialised and some housing conditions were very cramped. In willing the destruction of Slough, Betjeman urges the bombs to pick out the vulgar profiteers but to spare the bald young clerks. He really was very fond of his fellow human beings. Slough is much improved nowadays and he might be pleasantly surprised by a stroll there."

• Refer - http://www-cdr.stanford.edu/intuition/Slough.html

• Come friendly bombs and fall on Slough!
  It isn't fit for humans now, 
  There isn't grass to graze a cow. 
  Swarm over, Death!
  
  Come, bombs and blow to smithereens
  Those air-conditioned, bright canteens, 
  Tinned fruit, tinned meat, tinned milk, tinned beans, 
  Tinned minds, tinned breath. 
  
  Mess up the mess they call a town-
  A house for ninety-seven down
  And once a week a half a crown 
  For twenty years. 
  
  And get that man with double chin
  Who'll always cheat and always win, 
  Who washes his repulsive skin 
  In women's tears: 
  
  And smash his desk of polished oak
  And smash his hands so used to stroke
  And stop his boring dirty joke
  And make him yell. 
  
  But spare the bald young clerks who add
  The profits of the stinking cad;
  It's not their fault that they are mad, 
  They've tasted Hell. 
  
  It's not their fault they do not know 
  The birdsong from the radio, 
  It's not their fault they often go 
  To Maidenhead 
  
  And talk of sport and makes of cars
  In various bogus-Tudor bars 
  And daren't look up and see the stars
  But belch instead. 
  
  In labour-saving homes, with care
  Their wives frizz out peroxide hair
  And dry it in synthetic air
  And paint their nails. 
  
  Come, friendly bombs and fall on Slough
  To get it ready for the plough.
  The cabbages are coming now;
  The earth exhales. 
  

  ---

• "In Westminster Abbey" - John Betjeman
  • http://www.cs.rice.edu/~ssiyer/minstrels/poems/613.html
  • http://www.pmms.cam.ac.uk/~gjm11/poems/wabbey

    Let me take this other glove off
      As the vox humana swells,
    And the beauteous fields of Eden
      Bask beneath the Abbey bells.
    Here, where England's statesmen lie,
    Listen to a lady's cry.
    
    Gracious Lord, oh bomb the Germans,
      Spare their women for Thy Sake,
    And if that is not too easy
      We will pardon Thy Mistake.
    But, gracious Lord, whate'er shall be,
    Don't let anyone bomb me.
    
    Keep our Empire undismembered
      Guide our Forces by Thy Hand,
    Gallant blacks from far Jamaica,
      Honduras and Togoland;
    Protect them Lord in all their fights,
    And, even more, protect the whites.
    
    Think of what our Nation stands for,
      Books from Boots' and country lanes,
    Free speech, free passes, class distinction,
      Democracy and proper drains.
    Lord, put beneath Thy special care
    One-eighty-nine Cadogan Square.
    
    Although dear Lord I am a sinner,
      I have done no major crime;
    Now I'll come to Evening Service
      Whensoever I have the time.
    So, Lord, reserve for me a crown,
    And do not let my shares go down.
    
    I will labour for Thy Kingdom,
      Help our lads to win the war,
    Send white feathers to the cowards
      Join the Women's Army Corps,
    Then wash the steps around Thy Throne
    In the Eternal Safety Zone.
    
    Now I feel a little better,
      What a treat to hear Thy Word,
    Where the bones of leading statesmen
      Have so often been interr'd.
    And now, dear Lord, I cannot wait
    Because I have a luncheon date.
    

  ---

• "Diary of a Church Mouse" - John Betjeman
  • http://www.bbc.co.uk/arts/poetry/outloud/betjeman.shtml

  • Here among long-discarded cassocks,
    Damp stools, and half-split open hassocks,
    Here where the Vicar never looks
    I nibble through old service books.
    Lean and alone I spend my days
    Behind this Church of England baize.
    I share my dark forgotten room
    With two oil-lamps and half a broom.
    The cleaner never bothers me,
    So here I eat my frugal tea.
    My bread is sawdust mixed with straw;
    My jam is polish for the floor.
    Christmas and Easter may be feasts 
    For congregations and for priests,
    And so may Whitsun. All the same,
    They do not fill my meagre frame.
    For me the only feast at all
    Is Autumn's Harvest Festival,
    When I can satisfy my want
    With ears of corn around the font.
    I climb the eagle's brazen head
    To burrow through a loaf of bread.
    I scramble up the pulpit stair
    And gnaw the marrows hanging there.
    It is enjoyable to taste
    These items ere they go to waste,
    But how annoying when one finds
    That other mice with pagan minds
    Come into church my food to share
    Who have no proper business there.
    Two field mice who have no desire
    To be baptized, invade the choir.
    A large and most unfriendly rat
    Comes in to see what we are at.
    He says he thinks there is no God
    And yet he comes...it's rather odd.
    This year he stole a sheaf of wheat
    (It screened our special preacher's seat),
    And prosperous mice from fields away
    Come in to hear the organ play,
    And under cover of its notes
    Ate through the altar's sheaf of oats.
    A Low Church mouse, who thinks that I
    Am too papistical, and High,
    Yet somehow doesn't think it wrong
    To munch through Harvest Evensong,
    While I, who starve the whole year through,
    Must share my food with rodents who
    Except at this time of the year
    Not once inside the church appear.
    Within the human world I know
    Such goings-on could not be so,
    For human beings only do
    What their religion tells them to.
    They read the Bible every day
    And always, night and morning, pray,
    And just like me, the good church mouse,
    Worship each week in God's own house,
    But all the same it's strange to me
    How very full the church can be
    With people I don't see at all
    Except at Harvest Festival. 
    

  ---

• "Christmas" - John Betjeman
  • http://poetry.nanvaent.org/vl/poem.asp?id=181

• "On a Portrait of a Deaf Man" - John Betjeman
  • http://poetry.nanvaent.org/vl/poem.asp?id=206

Lewis Carroll

• The Walrus and the Carpenter - http://www.pmms.cam.ac.uk/~gjm11/poems/walrus

Louis MacNeice (1907 -1963)

• Louis MacNeice Fact Page - http://members.aol.com/carrickman/macneice.htm

• Louis MacNeice - "Prayer before Birth" - http://www.artofeurope.com/macneice/mac1.htm

•      I am not yet born; O hear me.
       Let not the bloodsucking bat or the rat or the stoat or the
            club-footed ghoul come near me.
  
       I am not yet born, console me.
       I fear that the human race may with tall walls wall me,
            with strong drugs dope me, with wise lies lure me,
               on black racks rack me, in blood-baths roll me.
  
       I am not yet born; provide me
       With water to dandle me, grass to grow for me, trees to talk
            to me, sky to sing to me, birds and a white light
               in the back of my mind to guide me.
  
       I am not yet born; forgive me
       For the sins that in me the world shall commit, my words
            when they speak me, my thoughts when they think me,
               my treason engendered by traitors beyond me,
                  my life when they murder by means of my
                     hands, my death when they live me.
  
       I am not yet born; rehearse me
       In the parts I must play and the cues I must take when
            old men lecture me, bureaucrats hector me, mountains
               frown at me, lovers laugh at me, the white
                   waves call me to folly and the desert calls
                     me to doom and the beggar refuses
                        my gift and my children curse me.
  
       I am not yet born; O hear me,
       Let not the man who is beast or who thinks he is God
            come near me.
  
       I am not yet born; O fill me
       With strength against those who would freeze my
            humanity, would dragoon me into a lethal automaton,
               would make me a cog in a machine, a thing with
                  one face, a thing, and against all those
                     who would dissipate my entirety, would
                        blow me like thistledown hither and
                           thither or hither and thither
                              like water held in the
                                 hands would spill me.
  
       Let them not make me a stone and let them not spill me.
       Otherwise kill me.
  

A. D. Hope

• Meditation on a Bone - http://www.wmich.edu/english/tchg/lit/pms/Hope.5poems.html

Henry Lawson

• Faces in the Street by Henry Lawson

  HTMLized by birjt@alinga.newcastle.edu.au - Friday, November 12, 1999 
  
  Original text from The Project Gutenberg Etext
  
  entered/proofed by A. Light, alight@cybernetics.net
  proofed by L. Bowser (bowser@mars.senecac.on.ca)
  
  In the Days When the World was Wide and Other Verses (2 ed.)
  by Henry Lawson [Australian house-painter, author and poet -- 1867-1922.]
  First Edition printed February 1896,
  Reprinted August 1896, October 1896, March 1898, and November 1898;
  Revised Edition, January 1900;
  Reprinted May 1903, February 1910, June 1912, and July 1913.
  

  • http://whitewolf.newcastle.edu.au/words/authors/L/LawsonHenry/verse/world_wide/facesstreet.html
  • Also refer: ("Walls of Cant and Walls of Custom"(1) : Henry Lawson and the "Australian Legend") http://www.anu.edu.au/polsci/marx/interventions/lawson.htm
  • Also refer: Faces in the Street: http://www.qonline.com.au/~gary/wizzai.html
  • Also refer: Faces in the Street: http://www.cbdmalls.com/poems/lawson/faicesinthestreet.html
  • In the Days When the World was Wide and Other Verses (2 ed.) by Henry Lawson [Australian house-painter, author and poet -- 1867-1922.] : http://www.gutenberg.cyberxs.nl/etext95/file.html?file=dwwww11.txt

• They lie, the men who tell us in a loud decisive tone
  That want is here a stranger, and that misery's unknown;
  For where the nearest suburb and the city proper meet
  My window-sill is level with the faces in the street —
  Drifting past, drifting past,
  To the beat of weary feet —
  While I sorrow for the owners of those faces in the street.

  And cause I have to sorrow, in a land so young and fair,
  To see upon those faces stamped the marks of Want and Care;
  I look in vain for traces of the fresh and fair and sweet
  In sallow, sunken faces that are drifting through the street —
  Drifting on, drifting on,
  To the scrape of restless feet;
  I can sorrow for the owners of the faces in the street.

  In hours before the dawning dims the starlight in the sky
  The wan and weary faces first begin to trickle by,
  Increasing as the moments hurry on with morning feet,
  Till like a pallid river flow the faces in the street —
  Flowing in, flowing in,
  To the beat of hurried feet —
  Ah! I sorrow for the owners of those faces in the street.

  The human river dwindles when 'tis past the hour of eight,
  Its waves go flowing faster in the fear of being late;
  But slowly drag the moments, whilst beneath the dust and heat
  The city grinds the owners of the faces in the street —
  Grinding body, grinding soul,
  Yielding scarce enough to eat —
  Oh! I sorrow for the owners of the faces in the street.

  And then the only faces till the sun is sinking down
  Are those of outside toilers and the idlers of the town,
  Save here and there a face that seems a stranger in the street,
  Tells of the city's unemployed upon his weary beat —
  Drifting round, drifting round,
  To the tread of listless feet —
  Ah! My heart aches for the owner of that sad face in the street.

  And when the hours on lagging feet have slowly dragged away,
  And sickly yellow gaslights rise to mock the going day,
  Then flowing past my window like a tide in its retreat,
  Again I see the pallid stream of faces in the street —
  Ebbing out, ebbing out,
  To the drag of tired feet,
  While my heart is aching dumbly for the faces in the street.

  And now all blurred and smirched with vice the day's sad pages end,
  For while the short `large hours' toward the longer `small hours' trend,
  With smiles that mock the wearer, and with words that half entreat,
  Delilah pleads for custom at the corner of the street —
  Sinking down, sinking down,
  Battered wreck by tempests beat —
  A dreadful, thankless trade is hers, that Woman of the Street.

  But, ah! to dreader things than these our fair young city comes,
  For in its heart are growing thick the filthy dens and slums,
  Where human forms shall rot away in sties for swine unmeet,
  And ghostly faces shall be seen unfit for any street —
  Rotting out, rotting out,
  For the lack of air and meat —
  In dens of vice and horror that are hidden from the street.

  I wonder would the apathy of wealthy men endure
  Were all their windows level with the faces of the Poor?
  Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
  When God demands a reason for the sorrows of the street,
  The wrong things and the bad things
  And the sad things that we meet
  In the filthy lane and alley, and the cruel, heartless street.

  I left the dreadful corner where the steps are never still,
  And sought another window overlooking gorge and hill;
  But when the night came dreary with the driving rain and sleet,
  They haunted me — the shadows of those faces in the street,
  Flitting by, flitting by,
  Flitting by with noiseless feet,
  And with cheeks but little paler than the real ones in the street.

  Once I cried: `Oh, God Almighty! if Thy might doth still endure,
  Now show me in a vision for the wrongs of Earth a cure.'
  And, lo! with shops all shuttered I beheld a city's street,
  And in the warning distance heard the tramp of many feet,
  Coming near, coming near,
  To a drum's dull distant beat,
  And soon I saw the army that was marching down the street.

  Then, like a swollen river that has broken bank and wall,
  The human flood came pouring with the red flags over all,
  And kindled eyes all blazing bright with revolution's heat,
  And flashing swords reflecting rigid faces in the street.
  Pouring on, pouring on,
  To a drum's loud threatening beat,
  And the war-hymns and the cheering of the people in the street.

  And so it must be while the world goes rolling round its course,
  The warning pen shall write in vain, the warning voice grow hoarse,
  But not until a city feels Red Revolution's feet
  Shall its sad people miss awhile the terrors of the street —
  The dreadful everlasting strife
  For scarcely clothes and meat
  In that pent track of living death — the city's cruel street.

• The Poets of the Tomb by Henry Lawson

• In the Days When the World was Wide and Other Verses (2 ed.) by Henry Lawson [Australian house-painter, author and poet -- 1867-1922.] : http://www.gutenberg.cyberxs.nl/etext95/file.html?file=dwwww11.txt

  The world has had enough of bards who wish that they were dead,
  'Tis time the people passed a law to knock 'em on the head,
  For 'twould be lovely if their friends could grant the rest they crave --
  Those bards of `tears' and `vanished hopes', those poets of the grave.
  They say that life's an awful thing, and full of care and gloom,
  They talk of peace and restfulness connected with the tomb.
  
  They say that man is made of dirt, and die, of course, he must;
  But, all the same, a man is made of pretty solid dust.
  There is a thing that they forget, so let it here be writ,
  That some are made of common mud, and some are made of GRIT;
  Some try to help the world along while others fret and fume
  And wish that they were slumbering in the silence of the tomb.
  
  'Twixt mother's arms and coffin-gear a man has work to do!
  And if he does his very best he mostly worries through,
  And while there is a wrong to right, and while the world goes round,
  An honest man alive is worth a million underground.
  And yet, as long as sheoaks sigh and wattle-blossoms bloom,
  The world shall hear the drivel of the poets of the tomb.
  
  And though the graveyard poets long to vanish from the scene,
  I notice that they mostly wish their resting-place kept green.
  Now, were I rotting underground, I do not think I'd care
  If wombats rooted on the mound or if the cows camped there;
  And should I have some feelings left when I have gone before,
  I think a ton of solid stone would hurt my feelings more.
  
  Such wormy songs of mouldy joys can give me no delight;
  I'll take my chances with the world, I'd rather live and fight.
  Though Fortune laughs along my track, or wears her blackest frown,
  I'll try to do the world some good before I tumble down.
  Let's fight for things that ought to be, and try to make 'em boom;
  We cannot help mankind when we are ashes in the tomb.
  

• Australian Bards and Bush Reviewers by Henry Lawson

• In the Days When the World was Wide and Other Verses (2 ed.) by Henry Lawson [Australian house-painter, author and poet -- 1867-1922.] : http://www.gutenberg.cyberxs.nl/etext95/file.html?file=dwwww11.txt

  While you use your best endeavour to immortalise in verse
  The gambling and the drink which are your country's greatest curse,
  While you glorify the bully and take the spieler's part --
  You're a clever southern writer, scarce inferior to Bret Harte.
  
  If you sing of waving grasses when the plains are dry as bricks,
  And discover shining rivers where there's only mud and sticks;
  If you picture `mighty forests' where the mulga spoils the view --
  You're superior to Kendall, and ahead of Gordon too.
  
  If you swear there's not a country like the land that gave you birth,
  And its sons are just the noblest and most glorious chaps on earth;
  If in every girl a Venus your poetic eye discerns,
  You are gracefully referred to as the `young Australian Burns'.
  
  But if you should find that bushmen -- spite of all the poets say --
  Are just common brother-sinners, and you're quite as good as they --
  You're a drunkard, and a liar, and a cynic, and a sneak,
  Your grammar's simply awful and your intellect is weak.
  

• Freedom on the Wallaby by Henry Lawson (1891)

• Freedom on the Wallaby : http://members.ozemail.com.au/~natinfo/lawson/freedom-on-the-wallaby.html

• Union Songs: Freedom on the Wallaby : http://www.crixa.com/muse/unionsong/u021.html

Steve Turner

• Where Jesus Touched The Earth - http://www.pmms.cam.ac.uk/~gjm11/poems/wjtte
• CREED - http://www.pmms.cam.ac.uk/~gjm11/poems/creed

James Whitcomb Riley (1849-1916)

• Selected Poetry of James Whitcomb Riley (1849-1916) - http://www.library.utoronto.ca/utel/rp/authors/riley.html

• James Whitcomb Riley (1849-1916) - http://www.jameswhitcombriley.com/

• Good-bye Jim (US Civil War Poem) by James Whitcomb Riley - http://www.jameswhitcombriley.com/new_page_1.htm

Robert Louis Stevenson

• A complete collection of poems by Robert Louis Stevenson (1850 to 1894) - http://www.poetryloverspage.com/poets/stevenson/stevenson_ind.html

• "Child's Garden of Verses" by Robert Louis Stevenson (1850 to 1894) - http://www.poetryloverspage.com/poets/stevenson/collections/childs_garden_of_verses.html

As from the house your mother sees
You playing round the garden trees,
So you may see, if you will look
Through the windows of this book,
Another child, far, far away,
And in another garden, play.
But do not think you can at all,
By knocking on the window, call
That child to hear you. He intent
Is all on his play-business bent.
He does not hear, he will not look,
Nor yet be lured out of this book.
For, long ago, the truth to say,
He has grown up and gone away,
And it is but a child of air
That lingers in the garden there.

Requiem - Robert Louis Stevenson. 1850-1894

• http://sailor.gutenberg.org/etext98/pgbev10.txt

UNDER the wide and starry sky
Dig the grave and let me lie:
Glad did I live and gladly die,
  And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he long'd to be;
Home is the sailor, home from sea,
  And the hunter home from the hill.

Christopher Logue

• London Airport - http://www.pmms.cam.ac.uk/~gjm11/poems/airport.html

Walter de la Mare

• At Ease - http://www.pmms.cam.ac.uk/~gjm11/poems/atease

At Ease
=======             Walter de la Mare

Most wounds can Time repair;
But some are mortal -- these:
For a broken heart there is no balm,
No cure for a heart at ease --

At ease, but cold as stone,
Though the intellect spin on,
And the feat and practiced face may show
Nought of the life that is gone;

But smiles, as by habit taught;
And sighs, as by custom led;
And the soul within is safe from damnation,
Since it is dead.

Roger McGough

• Let Me Die a Youngman's Death - http://poetry.nanvaent.org/vl/poem.asp?id=521

• The Lesson - http://poetry.nanvaent.org/vl/poem.asp?id=523

Charles GD Roberts

• Bat, Bat, Come Under my Hat - http://www.poemhunter.com/p/m/poem.asp?poem=30664&poet=6778&num=3&total=23

      Bat, Bat, Come Under my Hat

      Twelve good friends
      Passed under her hat,
      And devil a one of them
      Knew where he was at.

      Had they but known,
      Then had they known all things, --
      The littleness of great things,
      The unmeasured immensity of small things.
      They had known the Where and the Why,
      The When and the Wherefore,
      And how the Eternal
      Conceived the Eternal, and therefore
      Beginning began the Beginning;
      They had apprehended
      The ultimate virtue of sinning;
      They had caught the whisper
      That Vega vibrates to Arcturus,
      Piercing the walls
      Of heavy flesh that immure us.

      But if they had known,
      Then had there been no mystery;
      And Life had been poorer,
      And laughter unsurer,
      And the shadow of death securer,
      By lack of this brief history.

William Blake (1757-1827)

• William Blake - Auguries of Innocence - http://stellar-one.com/poems/auguries_of_innocence__william_blake.htm
• William Blake - Auguries of Innocence - http://ash.xanthia.com/nazgsoul.html#Poetry from ashspace | http://ash.xanthia.com/blake.html
• William Blake - Auguries of Innocence - http://neuro.ohbi.net/english_poem/auguries_of_innocence_blake.htm
• William Blake - Auguries of Innocence - http://www.4literature.net/William_Blake/Auguries_of_Innocence/

• William Blake - Auguries of Innocence - http://eir.library.utoronto.ca/rpo/display/poem161.html
  • This poem was first published by Rossetti in his edition in Gilchrist's Life of William Blake, 1863. It was edited from a MS. in fair draft written by Blake probably during his stay at Felpham (1800-3), and later known as the Pickering MS., from a Mr. B. J. Pickering who bought it and published an edition of it, more accurate than Rossetti's, in 1866.

      Auguries of Innocence
  
  To see a World in a Grain of Sand 
  And a Heaven in a Wild Flower, 
  Hold Infinity in the palm of your hand 
  And Eternity in an hour. 
    
  A Robin Red breast in a Cage 
  Puts all Heaven in a Rage. 
  A dove house fill'd with doves & Pigeons 
  Shudders Hell thro' all its regions. 
  A dog starv'd at his Master's Gate 
  Predicts the ruin of the State. 
  A Horse misus'd upon the Road 
  Calls to Heaven for Human blood. 
  Each outcry of the hunted Hare 
  A fibre from the Brain does tear. 
  A Skylark wounded in the wing, 
  A Cherubim does cease to sing. 
  The Game Cock clipp'd and arm'd for fight 
  Does the Rising Sun affright. 
  Every Wolf's & Lion's howl 
  Raises from Hell a Human Soul. 
  The wild deer, wand'ring here & there, 
  Keeps the Human Soul from Care. 
  The Lamb misus'd breeds public strife 
  And yet forgives the Butcher's Knife. 
  The Bat that flits at close of Eve 
  Has left the Brain that won't believe. 
  The Owl that calls upon the Night 
  Speaks the Unbeliever's fright. 
  He who shall hurt the little Wren 
  Shall never be belov'd by Men. 
  He who the Ox to wrath has mov'd 
  Shall never be by Woman lov'd. 
  The wanton Boy that kills the Fly 
  Shall feel the Spider's enmity. 
  He who torments the Chafer's sprite 
  Weaves a Bower in endless Night. 
  The Catterpillar on the Leaf 
  Repeats to thee thy Mother's grief. 
  Kill not the Moth nor Butterfly, 
  For the Last Judgement draweth nigh. 
  He who shall train the Horse to War 
  Shall never pass the Polar Bar. 
  The Beggar's Dog & Widow's Cat, 
  Feed them & thou wilt grow fat. 
  The Gnat that sings his Summer's song 
  Poison gets from Slander's tongue. 
  The poison of the Snake & Newt 
  Is the sweat of Envy's Foot. 
  The poison of the Honey Bee 
  Is the Artist's Jealousy. 
  The Prince's Robes & Beggars' Rags 
  Are Toadstools on the Miser's Bags. 
  A truth that's told with bad intent 
  Beats all the Lies you can invent. 
  It is right it should be so; 
  Man was made for Joy & Woe; 
  And when this we rightly know 
  Thro' the World we safely go. 
  Joy & Woe are woven fine, 
  A Clothing for the Soul divine; 
  Under every grief & pine 
  Runs a joy with silken twine. 
  The Babe is more than swadling Bands; 
  Throughout all these Human Lands 
  Tools were made, & born were hands, 
  Every Farmer Understands. 
  Every Tear from Every Eye 
  Becomes a Babe in Eternity. 
  This is caught by Females bright 
  And return'd to its own delight. 
  The Bleat, the Bark, Bellow & Roar 
  Are Waves that Beat on Heaven's Shore. 
  The Babe that weeps the Rod beneath 
  Writes Revenge in realms of death. 
  The Beggar's Rags, fluttering in Air, 
  Does to Rags the Heavens tear. 
  The Soldier arm'd with Sword & Gun, 
  Palsied strikes the Summer's Sun. 
  The poor Man's Farthing is worth more 
  Than all the Gold on Afric's Shore. 
  One Mite wrung from the Labrer's hands 
  Shall buy & sell the Miser's lands: 
  Or, if protected from on high, 
  Does that whole Nation sell & buy. 
  He who mocks the Infant's Faith 
  Shall be mock'd in Age & Death. 
  He who shall teach the Child to Doubt 
  The rotting Grave shall ne'er get out. 
  He who respects the Infant's faith 
  Triumph's over Hell & Death. 
  The Child's Toys & the Old Man's Reasons 
  Are the Fruits of the Two seasons. 
  The Questioner, who sits so sly, 
  Shall never know how to Reply. 
  He who replies to words of Doubt 
  Doth put the Light of Knowledge out. 
  The Strongest Poison ever known 
  Came from Caesar's Laurel Crown. 
  Nought can deform the Human Race 
  Like the Armour's iron brace. 
  When Gold & Gems adorn the Plow 
  To peaceful Arts shall Envy Bow. 
  A Riddle or the Cricket's Cry 
  Is to Doubt a fit Reply. 
  The Emmet's Inch & Eagle's Mile 
  Make Lame Philosophy to smile. 
  He who Doubts from what he sees 
  Will ne'er believe, do what you Please. 
  If the Sun & Moon should doubt 
  They'd immediately Go out. 
  To be in a Passion you Good may do, 
  But no Good if a Passion is in you. 
  The Whore & Gambler, by the State 
  Licenc'd, build that Nation's Fate. 
  The Harlot's cry from Street to Street 
  Shall weave Old England's winding Sheet. 
  The Winner's Shout, the Loser's Curse, 
  Dance before dead England's Hearse. 
  Every Night & every Morn 
  Some to Misery are Born. 
  Every Morn & every Night 
  Some are Born to sweet Delight. 
  Some ar Born to sweet Delight, 
  Some are born to Endless Night. 
  We are led to Believe a Lie 
  When we see not Thro' the Eye 
  Which was Born in a Night to Perish in a Night 
  When the Soul Slept in Beams of Light. 
  God Appears & God is Light 
  To those poor Souls who dwell in the Night, 
  But does a Human Form Display 
  To those who Dwell in Realms of day. 
  

  ---

  Be wary - a cut down version of "Auguries of Innocence" found on quite a few websites?

        Auguries of Innocence
  
  
         To see a world in a grain of sand
          And a heaven in a wild flower,
       Hold infinity in the palm of your hand
            And eternity in an hour. 
  
           A robin redbreast in a cage
            Puts all Heaven in a rage.
     A dove house fill'd with doves and pigeons
         Shudders Hell thro' all its regions.
         A dog starv'd at his master's gate
          Predicts the ruin of the state.
          A horse misus'd upon the road
        Calls to Heaven for human blood.
          Each outcry of the hunted hare
         A fibre from the brain does tear.
         A skylark wounded in the wing,
         A Cherubim does cease to sing.
     The game cock clipp'd and arm'd for fight
           Does the rising Sun affright.
           Every wolf's and lion's howl
         Raises from Hell a human soul. 
  
         He who respects the infant's faith
          Triumphs over Hell and Death.
     The child's toys and the old man's reasons
         Are the fruits of the two seasons.
         The questioner, who sits so sly,
         Shall never know how to reply.
        He who replies to words of doubt
       Doth put the light of Knowledge out.
         The strongest poison ever known
        Came from Caesar's laurel crown,
        Nought can deform the human race
         Like to the armour's iron brace.
       When gold and gems adorn the plow
         To peaceful arts shall Envy bow.
           A riddle or the cricket's cry
             Is to doubt a fit reply.
         The emmet's inch and eagle's mile
         Make lame Philosophy to smile.
        He who doubts from what he sees
       Will ne'er believe, do what you please.
        If the Sun and Moon should doubt,
           They'd immediately go out.
       To be in a passion you good may do,
        But no good if a passion is in you.
       The whore and gambler, by the state
         Licens'd, build that nation's fate.
       The harlot's cry from street to street,
      Shall weave Old England's winding sheet.
       The winner's shout, the loser's curse,
       Dance before dead England's hearse.
           Every night and every morn
            Some to misery are born.
           Every morn and every night
         Some are born to sweet delight.
         Some are born to sweet delight,
         Some are born to endless night.
           We are led to believe a lie
          When we see not thro' the eye
    Which was born in a night to perish in a night,
       When the Soul slept in beams of light.
          God appears and God is light
      To those poor souls who dwell in night,
          But does a human form display
       To those who dwell in realms of day.

augury: n.; pl. auguries [L. augurium, divination from augur, an augur]

1. the art or practice of foretelling events by signs or omens
   She knew by augury divine. - Swift
2. that which forebodes; that from which a prediction is drawn; and omen; portent.
   Sad auguries of winter thence she drew. - Dryden
3. a formal ceremony conducted by an auger.

• William Blake (1757-1827) - London - http://quotations.about.com/cs/poemlyrics/a/London.htm

London

I wandered through each chartered street,
Near where the chartered Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:

How the chimney-sweeper's cry
Every blackening church appals,
And the hapless soldier's sigh
Runs in blood down palace-walls.

But most, through midnight streets I hear
How the youthful harlot's curse
Blasts the new-born infant's tear,
And blights with plagues the marriage-hearse.

• William Blake (1757-1827) - London - http://www.cs.rice.edu/~ssiyer/minstrels/poems/1431.html

London

I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.

How the Chimney-sweeper's cry
Every black'ning Church appalls;
And the hapless Soldier's sigh
Runs in blood down Palace walls.

But most thro' midnight streets I hear
How the youthful Harlot's curse
Blasts the new born Infant's tear,
And blights with plagues the Marriage hearse.

• William Blake (1757-1827) - A Poison Tree - http://quotations.about.com/cs/poemlyrics/a/A_Poison_Tree.htm

A Poison Tree 

I was angry with my friend: 
I told my wrath, my wrath did end. 
I was angry with my foe; 
I told it not, my wrath did grow. 

And I water'd it in fears, 
Night & morning with my tears; 
And I sunned it with my smiles 
And with soft deceitful wiles.

And it grew both day and night, 
Till it bore an apple bright; 
And my foe beheld it shine, 
And he knew that it was mine, 

And into my garden stole 
When the night had veil'd the pole: 
In the morning glad I see 
My foe outstretch'd beneath the tree 

City of Dreadful Night (1874) by James Thomson (1834-1882)

Refer City of Dreadful Night by James Thomson webpage.

Refer Poetry of London - London and Literature in the Nineteenth Century

Algernon Charles Swinburne (1837-1909)

• An Algernon Swinburne site - http://landow.stg.brown.edu/victorian/decadence/swinburne/acsov.html

• "Poems and ballads" by Algernon Charles Swinburne (London: Edward Moxon & Co., Dover Street. 1866.) - http://www.people.virginia.edu/~bpn2f/Swinburne/1866.html

• Algernon Swinburne - The Garden of Proserpine - http://www.crocker.com/~lwm/proserpine.html

    The Garden of Proserpine
  
  Here, where the world is quiet;
    Here, where all trouble seems
  Dead winds' and spent waves' riot
    In doubtful dreams of dreams;
  I watch the green field growing
  For reaping folk and sowing
  For harvest-time and mowing,
    A sleepy world of streams.
  
  I am tired of tears and laughter,
    And men that laugh and weep;
  Of what may come hereafter
    For men that sow to reap:
  I am weary of days and hours,
  Blown buds of barren flowers,
  Desires and dreams and powers
    And everything but sleep.
  
  Here life has death for neighbor,
    And far from eye or ear
  Wan waves and wet winds labor,
    Weak ships and spirits steer;
  They drive adrift, and whither
  They wot not who make thither;
  But no such winds blow hither,
    And no such things grow here.
  
  No growth of moor or coppice,
    No heather-flower or vine,
  But bloomless buds of poppies,
    Green grapes of Proserpine,
  Pale beds of blowing rushes,
  Where no leaf blooms or blushes
  Save this whereout she crushes
    For dead men deadly wine.
  
  Pale, without name or number,
    In fruitless fields of corn,
  They bow themselves and slumber
    All night till light is born;
  And like a soul belated,
  In hell and heaven unmated,
  By cloud and mist abated
    Comes out of darkness morn.
  
  Though one were strong as seven,
    He too with death shall dwell,
  Nor wake with wings in heaven,
    Nor weep for pains in hell;
  Though one were fair as roses,
  His beauty clouds and closes;
  And well though love reposes,
    In the end it is not well.
  
  Pale, beyond porch and portal,
    Crowned with calm leaves she stands
  Who gathers all things mortal
    With cold immortal hands;
  Her languid lips are sweeter
  Than love's who fears to greet her,
  To men that mix and meet her
    From many times and lands.
  
  She waits for each and other,
    She waits for all men born;
  Forgets the earth her mother,
    The life of fruits and corn;
  And spring and seed and swallow
  Take wing for her and follow
  Where summer song rings hollow
    And flowers are put to scorn.
  
  There go the loves that wither,
    The old loves with wearier wings;
  And all dead years draw thither,
    And all disastrous things;
  Dead dreams of days forsaken,
  Blind buds that snows have shaken,
  Wild leaves that winds have taken,
    Red strays of ruined springs.
  
  We are not sure of sorrow;
    And joy was never sure;
  To-day will die to-morrow;
    Time stoops to no man's lure;
  And love, grown faint and fretful,
  With lips but half regretful
  Sighs, and with eyes forgetful
    Weeps that no loves endure.
  
  From too much love of living,
    From hope and fear set free,
  We thank with brief thanksgiving
    Whatever gods may be
  That no life lives for ever;
  That dead men rise up never;
  That even the weariest river
    Winds somewhere safe to sea.
  
  Then star nor sun shall waken,
    Nor any change of light:
  Nor sound of waters shaken,
    Nor any sound or sight:
  Nor wintry leaves nor vernal,
  Nor days nor things diurnal;
  Only the sleep eternal
    In an eternal night.

• Algernon Swinburne - A Forsaken Garden - http://www.crocker.com/~lwm/forsaken.html |

    A Forsaken Garden
  
  In a coign of a cliff between lowland and highland,
    At the sea-down's edge between windward and lee,
  Walled round with rocks as an inland island,  
    The ghost of a garden fronts the sea.
  A girdle of brushwood and thorn encloses
    The steep square slope of the blossomless bed
  Where the weeds that grew green from the graves of its roses
    Now lie dead.
  
  The fields fall southward, abrupt and broken,
    To the low last edge of the long lone land.
  If a step should sound or a word be spoken,
    Would a ghost not rise at the strange guest's hand?
  So long have the gray bare walks lain guestless,
    Through branches and briers if a man make way,
  He shall find no life but the sea-wind's restless
    Night and day.
  
  The dense hard passage is blind and stifled
    That crawls by a track none turn to climb
  To the strait waste place that the years have rifled
    Of all but the thorns that are touched not of time.
  The thorns he spares when the rose is taken;
    The rocks are left when he wastes the plain;
  The wind that wanders, the weeds wind-shaken,
    These remain.
  
  Not a flower to be pressed of the foot that falls not;
    As the heart of a dead man the seed-plots are dry;
  From the thicket of thorns whence the nightingale calls not,
    Could she call, there were never a rose to reply.
  Over the meadows that blossom and wither,
    Rings but the note of a sea-bird's song.
  Only the sun and the rain come hither
    All year long.
  
  The sun burns sear, and the rain dishevels
    One gaunt bleak blossom of scentless breath,
  Only the wind here hovers and revels,
    In a round where life seems barren as death.
  Here there was laughing of old, there was weeping,
    Haply, of lovers one never will know,
  Whose eyes went seaward a hundred sleeping
    years ago.
  
  Heart handfast in heart as they stood, 'Look thither,'
    Did he whisper?  'Look forth from the flowers to the sea;
  For the foam-flowers endure when the rose-blossoms wither,
    And men that love lightly may die-- but we?'
  And the same wind sang, and the same waves whitened,
    And or ever the garden's last petals were shed,
  In the lips that had whispered, the eyes that had lightened,
    Love was dead.
  
  Or they loved their life through, and then went whither?
    And were one to the end-- but what end who knows?
  Love deep as the sea as a rose must wither,
    As the rose-red seaweed that mocks the rose.
  Shall the dead take thought for the dead to love them?
    What love was ever as deep as a grave?
  They are loveless now as the grass above them
    Or the wave.
  
  All are at one now, roses and lovers,
    Nor known of the cliffs and the fields and the sea.
  Not a breath of the time that has been hovers
    In the air now soft with a summer to be.
  Not a breath shall there sweeten the seasons hereafter
    Of the flowers or the lovers that laugh now or weep,
  When as they that are free now of weeping and laughter
    We shall sleep.
  
  Here death may not deal again for ever;
    Here change may not come till all change end.
  From the graves they have made they shall rise up never
    Who have left nought living to ravage and rend.
  Earth, stones, and thorns of the wild ground growing,
    While the sun and the rain live, these shall be;
  Till a last wind's breath, upon all these blowing,
    Roll the sea.
  
  Till the slow sea rise, and the sheer cliff crumble,
    Till terrace and meadow the deep gulfs drink,
  Till the strength of the waves of the high tides humble
    The fields that lessen, the rocks that shrink,
  Here now in his triumph where all things falter,
    Stretched out on the spoils that his own hand spread,
  As a god self-slain on his own strange altar,
    Death lies dead.

Robert Herrick (1591 to 1674)

• Upon His Departure Hence - http://ash.xanthia.com/nazgsoul.html#Poetry from ashspace | http://ash.xanthia.com/herrick.html

  Upon His Departure Hence
  
  Thus I
  Pass by
  And die,
  As one,
  Unknown,
  And gone:
  I'm made
  A shade,
  And laid
  In the grave,
  There have
  My cave.
  Where tell
  I dwell,
  Farewell.

• Eternitie By Robert Herrick (1591-1674) : http://www.aol.bartleby.com/236/14.html

  Eternitie 
  
  O YEARES! and Age! Farewell  
    Behold I go,  
    Where I do know  
  Infinitie to dwell.  
    
  And these mine eyes shall see 
    All times, how they  
    Are lost i' th' Sea  
  Of vast Eternitie.  
    
  Where never Moone shall sway  
    The Starres; but she,
    And Night, shall be  
  Drown'd in one endlesse Day. 
  

Hilaire Belloc

• Lord Finchley - Hilaire Belloc - http://www.pmms.cam.ac.uk/~gjm11/poems/finchley

Lord Finchley

Lord Finchley tried to mend the Electric Light
Himself. It struck him dead: And serve him right!
It is the business of the wealthy man
To give employment to the artisan.

Francois Villon (15th Century French Poet)

Edwin Brock

• Five Ways to Kill a Man - http://www.pmms.cam.ac.uk/~gjm11/poems/brock

_Five Ways to Kill a Man_             Edwin Brock

There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it. To do this
properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.

Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.

Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.

In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.

These are, as I began, cumbersome ways
to kill a man. Simpler, direct, and much more neat
is to see that he is living somewhere in the middle
of the twentieth century, and leave him there.

Max Ehrmann (1872 - 1945)

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
• Desiderata
• (From the Alt.Usage.English FAQ: "Desiderata" was written in 1927 by Max Ehrmann (1872-1945). In 1956, the rector of St. Paul's Church in Baltimore, Maryland, used the poem in a collection of mimeographed inspirational material for his congregation. Someone who subsequently printed it asserted that it was found in Old St. Paul's Church, dated 1692. The year 1692 was the founding date of the church and has nothing to do with the poem. See Fred D. Cavinder, "Desiderata", TWA Ambassador, Aug. 1973, pp. 14-15.)
• Refer - Undesiderata - http://www-sccm.stanford.edu/Students/aczon/undes.html

William Ernest Henley (1849-1903)

(from "Echoes")

• Refer: http://shift.merriweb.com.au/books/henley/
• "William Ernest Henley was an English editor, writer, playwright and poet - he claimed that he "found himself in 1877 so utterly unmarketable that he had to own himself beaten in art and to addict himself to journalism for the next 10 years."

  He was first published by Leslie Stephen in the Cornhill Magazine, then in London (a magazine he started and edited 1877-81, which the 11th ed Brittanica descibed as "being of a type found more usually in Paris than London, in that it was written for its contributors than the general public") and then in the Magazine of art (ed from 1882-86). He was literary editor in The Scots Observer thereafter.

  He is chiefly remembered (if at all) for his famous poem Invictus and for a feud with Robert Louis Stevenson, his one-time greatest friend."

• IV - I. M. R.T. Hamilton Bruce (1846-1899) [Invictus] (To R. T. H. B.)

  Out of the night that covers me, 
    Black as the Pit from pole to pole, 
  I thank whatever gods may be 
    For my unconquerable soul. 
    
  In the fell clutch of circumstance 
    I have not winced nor cried aloud. 
  Under the bludgeonings of chance 
    My head is bloody, but unbowed. 
    
  Beyond this place of wrath and tears 
    Looms but the Horror of the shade, 
  And yet the menace of the years 
    Finds, and shall find, me unafraid. 
    
  It matters not how strait the gate, 
    How charged with punishments the scroll, 
  I am the master of my fate: 
    I am the captain of my soul.

  1875

• XLVII - Crosses and troubles a-many have proved me.

  Crosses and troubles a-many have proved me. 
  One or two women (God bless them !) have loved me. 
  I have worked and dreamed, and I 've talked at will. 
  Of art and drink I have had my fill. 
  I 've comforted here, and I 've succoured there. 
  I've faced my foes, and I've backed my friends. 
  I 've blundered, and sometimes made amends. 
  I have prayed for light, and I 've known despair. 
  Now I look before, as I look behind, 
  Come storm, come shine, whatever befall, 
  With a grateful heart and a constant mind, 
  For the end I know is the best of all. 
    1888-1889

• IX - MADAM Life's a piece in bloom (To W. R.)

  MADAM Life's a piece in bloom 
    Death goes dogging everywhere: 
  She 's the tenant of the room, 
    He 's the ruffian on the stair. 
  You shall see her as a friend, 
    You shall bilk him once and twice; 
  But he 'll trap you in the end, 
    And he 'll stick you for her price. 
  With his kneebones at your chest, 
    And his knuckles in your throat, 
  You would reason - plead - protest! 
    Clutching at her petticoat; 
  But she's heard it all before, 
    Well she knows you've had your fun, 
  Gingerly she gains the door, 
    And your little job is done. 
      1877

• II - Life is bitter. All the faces of the years,

  Life is bitter. All the faces of the years, 
  Young and old, are grey with travail and with tears. 
  Must we only wake to toil, to tire, to weep? 
  In the sun, among the leaves, upon the flowers, 
  Slumber stills to dreamy death the heavy hours . . . 
       Let me sleep. 
  
  Riches won but mock the old unable years; 
  Fame's a pearl that hides beneath ta sea of tears; 
  Love must wither, or must live alone and weep. 
  In the sun, between the leaves, across the flowers, 
  While we slumber, death approaches though the hours - 
       Let me sleep. 

• XXX - KATE-A-WHIMSIES, John-a-Dreams,

  KATE-A-WHIMSIES, John-a-Dreams, 
  Still debating, still delay, 
  And the world's a ghost that gleams - 
  Wavers - vanishes away! 
  We must live while live we can; 
  We should love while love we may. 
  Dread in women, doubt in man . 
  So the Infinite runs away.

• XXIX - To R. L. S.

  A CHILD, 
  Curious and innocent, 
  Slips from his Nurse, and rejoicing 
  Loses himself in the Fair. 
  Thro' the jostle and din 
  Wandering, he revels, 
  Dreaming, desiring, possessing; 
  Till, of a sudden 
  Tired and afraid, he beholds 
  The sordid assemblage 
  Just as it is; and he runs 
  With a sob to his Nurse 
  (Lighting at last on him), 
  And in her motherly bosom 
  Cries him to sleep. 
  Thus thro' the World, 
  Seeing and feeling and knowing, 
  Goes Man: till at last, 
  Tired of experience, he turns 
  To the friendly and comforting breast 
  Of the old nurse, Death.

William Ernest Henley (1849-1903)

(From "Hawthorn and Lavender")

• XLV - 0, these long nights of days!

  0, these long nights of days! 
  All the year's baseness in the ways, 
  All the year's wretchedness in the skies; 
  While on the blind, disheartened sea 
  A tramp-wind plies 
  Cringingly and dejectedly! 
  And rain and darkness, mist and mud, 
  They cling, they close, they sneak into the blood, 
  They crawl and crowd upon the brain: 
  Till in a dull, dense monotone of pain 
  The past is Found a kind of maze, 
  At whose every coign and crook, 
  Broad angle and privy nook, 
  There waits a hooded Memory, 
  Sad, yet with strange, bright, unreproaching eyes. 

• XLIV - He made this gracious Earth a hell

  He made this gracious Earth a hell 
  With Love and Drink. I cannot tell 
  Of which he died. But Death was well. 
     
  Will I die of drink ? 
  Why not? 
  Won't I pause and think? 
  - What? 
  Why in seeming wise 
  Waste your breath? 
  Everybody dies 
  - And of death! 
     
  Youth - if you find it 's youth 
  Too late? 
  Truth - and the back of truth? 
  Straight, 
  Be it love or liquor, 
  What 's the odds, 
  So it slide you quicker 
  To the gods ? 

• XLIX - Silence, loneliness, darkness

  Silence, loneliness, darkness - 
  These, and of these my fill, 
  While God in the rush of the Maytide 
  Without is working His will. 
  Without are the wind and the wall-flowers, 
  The leaves and the nests and the rain, 
  And in all of them God is making 
  His beautiful purpose plain. 
  But I wait in a horror of strangeness - 
  A tool on His workshop floor, 
  Worn to the butt, and banished 
  His hand for evermore. 

William Ernest Henley (1849-1903)

• http://sailor.gutenberg.org/etext98/pgbev10.txt

• Margaritae Sorori

  A LATE lark twitters from the quiet skies:
  And from the west,
  Where the sun, his day's work ended,
  Lingers as in content,
  There falls on the old, gray city
  An influence luminous and serene,
  A shining peace.
  
  The smoke ascends
  In a rosy-and-golden haze. The spires
  Shine and are changed. In the valley
  Shadows rise. The lark sings on. The sun,
  Closing his benediction,
  Sinks, and the darkening air
  Thrills with a sense of the triumphing night--
  Night with her train of stars
  And her great gift of sleep.
  
  So be my passing!
  My task accomplish'd and the long day done,
  My wages taken, and in my heart
  Some late lark singing,
  Let me be gather'd to the quiet west,
  The sundown splendid and serene,
  Death.

Alice Walker

• Thousands of Feet Below You - http://www.csd.net/~wrcucc/sermons/s_033003.html

  Thousands of Feet Below You
  
  Thousands of feet Below you 
  There is a small Boy 
  Running from Your bombs. 
  If he were To show up 
  At your mother's House 
  On a green Sea island Off the coast 
  Of Georgia 
  He'd be invited in For dinner. 
  Now, driven, You have shattered 
  His bones. 
  He lies steaming In the desert 
  In fifty or sixty Or maybe one hundred 
  Oily, slimy Bits. 
  If you survive and return 
  To your island Home 
  And to your mother's Gracious Table 
  Where the cup of lovingkindness 
  Overflows The brim 
  And From which No one 
  In memory Was ever Turned) 
  Gather yourself. 
  Set a place For him.

W. B. Yeats (1865 -1939)

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

• When you are Old - W. B. Yeats (1865 -1939) - http://sailor.gutenberg.org/etext98/pgbev10.txt

WHEN you are old and gray and full of sleep
  And nodding by the fire, take down this book,
  And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
  And loved your beauty with love false or true;
  But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.

And bending down beside the glowing bars,
  Murmur, a little sadly, how love fled
  And paced upon the mountains overhead,
And hid his face amid a crowd of stars.

• The Great Day - W. B. Yeats (1865 -1939) - http://members.tripod.com/~Propagander3/index-33.html

Hurrah for revolution and more cannon-shot!
   A beggar upon horseback lashes a beggar on foot.
     Hurrah for revolution and cannon come again!
The beggars have changed places, but the lash goes on.

• The Second Coming -- W. B. Yeats (1865 -1939) - http://www.well.com/user/eob/poetry/The_Second_Coming.html

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all convictions, while the worst
Are full of passionate intensity.


Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

• Where My Books go - W. B. Yeats (1865 -1939) - http://sailor.gutenberg.org/etext98/pgbev10.txt

ALL the words that I utter,
  And all the words that I write,
Must spread out their wings untiring,
  And never rest in their flight,
Till they come where your sad, sad heart is,
  And sing to you in the night,
Beyond where the waters are moving,
  Storm-darken'd or starry bright.

• An Irish Airman Forsees His Death - W. B. Yeats (1865 -1939) - http://www.photoaspects.com/chesil/yeats/index.html

I know that I shall meet my fate 
Somewhere among the clouds above; 
Those that I fight I do not hate, 
Those that I guard I do not love; 
My country is Kiltartan Cross, 
My countrymen Kiltartan's poor, 
No likely end could bring them loss 
Or leave them happier than before. 
Nor law, nor duty bade me fight, 
Nor public men, nor cheering crowds, 
A lonely impulse of delight 
Drove to this tummult in the clouds; 
I balanced all, brought all to mind, 
The years to come seemed waste of breath, 
A waste of breath the years behind 
In balance with this life, this death. 

Richard Lovelace (1618-1657)

• To Althea From Prison - ("Metaphysical Lyrics & Poems of the Seventeenth Century, Donne to Butler. Selected and Edited, with an essay, by Herbert J. C. Grierson", Oxford at the Clarendon Press, 1921)
• English Civil War, 1642-1649)
• From - http://www.biography.com
  Richard Lovelace - English Cavalier poet. He studied at Oxford, SC England, UK, and in 1642 was imprisoned for presenting to the House of Commons a petition from the royalists of Kent "for the restoring the king to his rights', and was released on bail. He spent his estate in the king's cause, assisted the French in 1646 to capture Dunkirk from the Spaniards, and was flung into jail on returning to England in 1648. In jail he revised his poems, including "To Althea, from Prison', and in 1649 published his collection of poems, Lucasta.

  When Love with unconfined wings
  Hovers within my Gates;
  And my divine Althea brings
  To whisper at the Grates:
  When I lye tangled in her haire,
  And fetterd to her eye;
  The Gods, that wanton in the Aire,
  Know no such Liberty.
  
  When flowing Cups run swiftly round
  With no allaying Thames,
  Our carelesse heads with Roses bound,
  Our hearts with Loyall Flames;
  When thirsty griefe in Wine we steepe,
  When Healths and draughts go free,
  Fishes that tipple in the Deepe,
  Know no such Libertie.
  
  When (like committed Linnets) I
  With shriller throat shall sing
  The sweetnes, Mercy, Majesty,
  And glories of my KING;
  When I shall voyce aloud, how Good
  He is, how Great should be;
  Inlarged Winds that curle the Flood,
  Know no such Liberty.
  
  Stone Walls do not a Prison make,
  Nor I'ron bars a Cage;
  Mindes innocent and quiet take
  That for an Hermitage;
  If I have freedome in my Love,
  And in my soule am free;
  Angels alone that sore above,
  Injoy such Liberty.

T. S. Eliot

• T. S. Eliot - Poetry and Prose - http://www.columbia.edu/acis/bartleby/eliot/ | http://www.bartleby.com/198/1.html

• T.S. Eliot: "T.S. Eliot reads his classic poem "The Waste Land."" - http://town.hall.org/Archives/radio/IMS/HarperAudio/011894_harp_ITH.html
  • ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk
  • The Love Song of J. Alfred Prufrock
  • The Love Song of J. Alfred Prufrock

"There is a road under the sea paved in British bone" (T S Eliot). From " A defence of these islands" (rare).

• The T. S. Eliot Page: http://virtual.park.uga.edu/~232/eliot.taken.html

  "'I grow old... I grow old... I shall wear the bottoms of my 
  trousers rolled.` What does that mean, Mr. Marlowe?"
  
  "Not a bloody thing. It just sounds good."
  
  He smiled. "That is from the 'Love Song of J. Alfred Prufrock.
  ' Here's another one. 'In the room women come and go/Talking
  of Michael Angelo.' Does that suggest anything to you, sir?"
  
  Yeah -- it suggests to me that the guy didn't know very much 
  about women."
  
  "My sentiments exactly, sir. Nonetheless I admire T. S. Eliot very much."
  
  "Did you say, 'nonetheless'?"
  
       - The Long Goodbye by Raymond Chandler 

Defense of the Islands

Defense of the islands cannot pretend to be verse, but its
date - just after the evacuation from Dunkirk - and
occasion have for me a significance which makes me wish
to preserve it. McKnight Kauffer was then working for
the Ministry of Information. At his request I wrote these
lines to accompany an exhibition in New York of
photographs illustrating the war effort in Britain. They
were subsequently published in Britain at War (the Museum
of Modern Art, New York, 1941). I now dedicate
them to the memory of Edward McKnight Kauffer

Let these memorials of built stone - music's
enduring instrument, of many centuries of
patient cultivation of earth, of English
verse

be joined with the memory of this defense of
the islands

and the memory of those appointed to the grey
ships - battleship, merchantman, trawler -
contributing their share to the ages' pavement
of British bone on the sea floor

and of those who, in man's newest form of gamble
with death, fight the power of darkness in air
and fire

and of those who have followed their forebears
to Flanders and France, those undefeated in de-
feat, unalterable in triumph, changing nothing
of their ancestors' ways but the weapons

and those again for whom the paths of glory are
the lanes and streets of Britain:

to say, to the past and the future generations
of our kin and of our speech, that we took up
our positions, in obedience to instructions.

As referenced in some of T.S. Eliot's poetry: "Jew of Malta" by Christopher Marlowe, (1564-1593)

• Search on Christopher Marlowe on Project Gutenberg
• ftp://ibiblio.org/pub/docs/books/gutenberg/etext97/jmlta10.txt

"Jew of Malta": Extract from ACT IV.

     Enter BARABAS<125> and ITHAMORE.  Bells within.

BARABAS. There is no music to  a Christian's knell:
How sweet the bells ring, now the nuns are dead,
That sound at other times like tinkers' pans!
I was afraid the poison had not wrought,
Or, though it wrought, it would have done no good,
For every year they swell, and yet they live:
Now all are dead, not one remains alive.

ITHAMORE.
That's brave, master:  but think you it will not be known?

BARABAS. How can it, if we two be secret?

ITHAMORE. For my part, fear you not.

BARABAS. I'd cut thy throat, if I did.

ITHAMORE. And reason too.
But here's a royal monastery hard by;
Good master, let me poison all the monks.

BARABAS. Thou shalt not need; for, now the nuns are dead,
They'll die with grief.

ITHAMORE. Do you not sorrow for your daughter's death?

BARABAS. No, but I grieve because she liv'd so long,
An Hebrew born, and would become a Christian:
Cazzo,<127> diabolo!

ITHAMORE.
Look, look, master; here come two religious caterpillars.

     Enter FRIAR JACOMO and FRIAR BARNARDINE.

BARABAS. I smelt 'em ere they came.

ITHAMORE. God-a-mercy, nose!  Come, let's begone.

FRIAR BARNARDINE. Stay, wicked Jew; repent, I say, and stay.

FRIAR JACOMO. Thou hast offended, therefore must be damn'd.

BARABAS. I fear they know we sent the poison'd broth.

ITHAMORE. And so do I, master; therefore speak 'em fair.

FRIAR BARNARDINE. Barabas, thou hast--

FRIAR JACOMO. Ay, that thou hast--

BARABAS. True, I have money; what though I have?

FRIAR BARNARDINE. Thou art a--

FRIAR JACOMO. Ay, that thou art, a--

BARABAS. What needs all this? I know I am a Jew.

FRIAR BARNARDINE. Thy daughter--

FRIAR JACOMO. Ay, thy daughter--

BARABAS. O, speak not of her! then I die with grief.

FRIAR BARNARDINE. Remember that--

FRIAR JACOMO. Ay, remember that--

BARABAS. I must needs say that I have been a great usurer.

FRIAR BARNARDINE. Thou hast committed--

BARABAS. Fornication:  but that was in another country;
And besides, the wench is dead.

The Twa Corbies by ANON

As I was walking all alane
I heard twa corbies making a mane;
The tane unto the t'other say
'Where sall we gang and dine today?'

'--In behint yon auld fail dyke,
I wot there lies a new-slain Knight
And naebody kend that he lies there,
But his hawk, his hound, and lady fair.

'His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady's ta'en another mate,
So we may mak our dinner sweet.

'Ye'll sit on his white hause-bane,
And I'll pick out his bonny blue een:
Wi'ae lock o' his gowden hair
We'll theek our nest where it grows bare,

'Mony a one for him makes mane,
But nane sall ken where he is gane;
O'er his white banes, when they are bare,
The wind sall blaw for evermair'.

Lord Ullin's Daughter by Thomas Campbell (1777-1844)

• http://www.cs.rice.edu/~ssiyer/minstrels/poems/199.html

 A Chieftain, to the Highlands bound,
       Cries, "Boatman, do not tarry!
 And I'll give thee a silver pound
       To row us o'er the ferry!" --

 "Now, who be ye, would cross Lochgyle,
       This dark and stormy weather?"
 "O, I'm the chief of Ulva's isle,
       And this, Lord Ullin's daughter. --

 "And fast before her father's men
       Three days we've fled together,
 For should he find us in the glen,
       My blood would stain the heather.

 "His horsemen hard behind us ride;
       Should they our steps discover,
 Then who will cheer my bonny bride
       When they have slain her lover?" --

 Out spoke the hardy Highland wight, --
       "I'll go, my chief --I'm ready: --
It is not for your silver bright;
       But for your winsome lady:

 "And by my word! the bonny bird
       In danger shall not tarry;
 So, though the waves are raging white,
       I'll row you o'er the ferry." --

 By this the storm grew loud apace,
       The water-wraith was shrieking;
 And in the scowl of heaven each face
       Grew dark as they were speaking.

 But still as wilder blew the wind,
       And as the night grew drearer,
 Adown the glen rode armèd men,
       Their trampling sounded nearer. --

 "O haste thee, haste!" the lady cries,
       "Though tempests round us gather;
 I'll meet the raging of the skies,
       But not an angry father." --

 The boat has left a stormy land,
       A stormy sea before her, --
 When, O! too strong for human hand,
       The tempest gather'd o'er her.

 And still they row'd amidst the roar
       Of waters fast prevailing:
 Lord Ullin reach'd that fatal shore, --
       His wrath was changed to wailing.

 For, sore dismay'd through storm and shade,
       His child he did discover: --
 One lovely hand she stretch'd for aid,
       And one was round her lover.

 "Come back! come back!" he cried in grief
       "Across this stormy water:
 And I'll forgive your Highland chief,
       My daughter! -- O my daughter!"

 'Twas vain: the loud waves lash'd the shore,
       Return or aid preventing:
 The waters wild went o'er his child,
       And he was left lamenting.

Channel Firing by Thomas Hardy (1840 - 1928)

• http://www.cs.rice.edu/~ssiyer/minstrels/poems/939.html

Channel Firing

That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,

The glebe cow drooled. Till God called, "No;
It's gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

"All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

"That this is not the judgment-hour
For some of them's a blessed thing,
For if it were they'd have to scour
Hell's floor for so much threatening ....

"Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need)."

So down we lay again. "I wonder,
Will the world ever saner be,"
Said one, "than when He sent us under
In our indifferent century!"

And many a skeleton shook his head.
"Instead of preaching forty year,"
My neighbour Parson Thirdly said,
"I wish I had stuck to pipes and beer."

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.

        -- Thomas Hardy

"AND THERE WAS A GREAT CALM" (ON THE SIGNING OF THE ARMISTICE, NOV,11, 1918) by Thomas Hardy (1840 - 1928)

• http://members.tripod.com/~Propagander3/index-33.html

There had been years of Passion-scorching, cold,
       And much Despair, and anger heaving high,
       Care whitely watching.  Sorrow manifold,
       Among the young, among the weak and old,
   And the pensive Spirit of Pity whispered, "Why?"

     Men had not paused to answer. Foes distraught
Pierced the thinned peoples in a brute-like blindness,
       Philosohies that sages long had thought,
     And Selflessness, were as an unknown thought
And "Hell!" and "Shell!" were yapped at Lovingkindness.

      The feeble folk at home had grown full-used
 To "dug-outs," "snipers," "Huns," from the war-adept
     In the morning heard, and a evetides perused;
    To day-dreamt men in millions, when they mused-
     To nightmare-men in millions when they slept.

       Walking to wish existence timeless, null,
     Sirius they watched above where armies fell;
   He seemed to check his flapping when, in the lull
    Of night a boom came thence wise, like the dull
    Plunge of a stone dropped into some deep well.

  So, when old hopes that earth was bettering slowly
  Were dear and damned, there sounded "War is done!"
   On morrow. Said the bereft, and meek, and lowly,
  "Will men some day be given to grace? yea, wholly,
     And in good sooth, as our dream used to run?"
Breathless they paused. Out there men raised their glance
   To where had stood those poplars lank and lopped,
  As they had raised it through the four years’ dance
     Of Death in the now familiar flats of France:
And murmured, "Strange, this! How ? All firing stopped?"

  Aye; all was husband. The about-to-fire fired not,
    The aimed - at moved away intrance-lipped song.
     One checkless regiment slung a clinching shot
And turning. The Spirit of Irony smirking out, "What?"
    Spoiled peradventures woven of Rage and Wrong?"

    Thenceforth no flying fires inflamed the gray,
     No hurtling shook the dewdrop from the thorn,
     No moan perplexed the mute bird on the spray;
    Worn horse mused: "We are not whipped to-day";
 No weft-winged engines blurred the moon’s thin horn.

     Calm fell. From Heaven distilled a clemency;
   There was peace on earth, and silence in the sky;
     Some could, some could not, shake off misery:
     The Sinister Spirit sneered: " It had to be!"
    And again the Spirit of Pity whispered, "Why?"

On Living Too Long by Walter Savage Landor (1775-1864)

• http://www.bartleby.com/41/561.html

IS it not better at an early hour
  In its calm cell to rest the weary head,
While birds are singing and while blooms the bower,
  Than sit the fire out and go starv’d to bed?

Stevie Smith (1903 - 1971)

(Refer: Francis Turner Palgrame "The Golden Treasury: With a Fifth Book selected by John Press", 1964, Oxford University Press, reprinted 1982, ISBN 0 19 250900 4)

• http://www.bbc.co.uk/arts/poetry/outloud/smith.shtml

Not Waving but Drowning - Stevie Smith

Nobody hear him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he's dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

Thomas Hood (1799-1845)

(Refer: Francis Turner Palgrame "The Golden Treasury: With a Fifth Book selected by John Press", 1964, Oxford University Press, reprinted 1982, ISBN 0 19 250900 4)

and

• Thomas Hood (1799-1845): http://lang.nagoya-u.ac.jp/~matsuoka/Hood.html
• Thomas Hood (1799-1845): http://www.designstop.com/ideas_section/general/tribute/Hoodpages/pathetic.htm | http://www.designstop.com/ideas_section/general/tribute/Hoodpages/aboutpathetic.htm
• Thomas Hood Poetry: http://www.geocities.com/~spanoudi/poems/hood01.html
• Big Collection of Thomas Hood Poetry: http://poetry.nanvaent.org/vl/author.asp?id=125
• Selected Poetry of Thomas Hood (1799-1845): http://www.library.utoronto.ca/utel/rp/authors/hood.html

Past and Present / I Remember, I Remember - Thomas Hood

• Past and Present / I Remember, I Remember by Thomas Hood (1799-1845): http://geocities.com/~spanoudi/poems/hood01.html

I remember, I remember
The house where I was born,
The little window where the sun
Came peeping in at morn;
He never came a wink too soon
Nor bought too long a day;
But now, I often wish the night
Had borne my breath away.

I remember, I remember
The roses, red and white,
The violets, and the lily-cups--
Those flowers made of light!
The lilacs where the robin built,
And where my brother set
The laburnum on his birthday,--
The tree is living yet!

I remember, I remember
Where I was used to swing,
And throught the air must rush as fresh
To swallows on the wing;
My spirit flew in feathers then
That is so heavy now,
And summer pools could hardly cool
The fever on my brow.

I remember, I remember
The fir frees dark and high;
I used to think their slender tops
Were close against the sky:
It was a childish ignorance,
But now 'tis little joy
To know I'm farther off from Heaven
Than when I was a boy.

The Song of the Shirt! - Thomas Hood

• Selected Poetry of Thomas Hood (1799-1845): http://www.library.utoronto.ca/utel/rp/poems/hood3b.html

• "Inspired by an incident which had newly drawn public attention to the condition of some workers in London. A woman with a starving infant at the breast `was charged at the Lambeth Police-court with pawning her master's goods, for which she had to give two pounds security. Her husband had died by an accident, and left her with two children to support, and she obtained by her needle for the maintenance of herself and family what her master called the good living of seven shillings a week.'"

Tim Turpin - Thomas Hood

• Tim Turpin by Thomas Hood (1799-1845): http://www.designstop.com/ideas_section/general/tribute/Hoodpages/pathetic.htm

Death - Thomas Hood

• Death by Thomas Hood (1799-1845): http://www.geocities.com/~poetsgalore/chesil/hood/

It is not death, that sometime in a sight
   This eloquent breath shall take its speechless flight;
That sometime these bright stars, that now reply
   In sunlight to the sun, shall set in night;
   That this warm conscious flesh shall perish quite,
And all life's ruddy springs forget to flow;
   That thoughts shall cease, and the immortal sprite
Be lapp'd in alien clay and laid below;
It is not death to know this - but to know
   That pious thoughts, which visit at new graves
In tender pilgrimage, will cease to go
   So duly and so oft - and when grass waves
Over the pass'd-away, there may be then
No resurrection in the minds of men.

"The world is with me..." - Thomas Hood

• "The world is with me..." by Thomas Hood (1799-1845): http://www.sonnets.org/hood.htm

The world is with me, and its many cares, 
Its woes--its wants--the anxious hopes and fears 
That wait on all terrestrial affairs-- 
The shades of former and of future years-- 
Forboding fancies and prophetic tears, 
Quelling a spirit that was once elate. 
Heavens! what a wilderness the world appears, 
Where youth, and mirth, and health are out of date; 
But no--a laugh of innocence and joy 
Resounds, like music of the fairy race, 
And, gladly turning from the world's annoy, 
I gaze upon a little radiant face, 
And bless, internally, the merry boy 
Who "makes a son-shine in a shady place." 

Gold! - Thomas Hood

• Gold! by Thomas Hood (1799-1845): http://www.sfmuseum.org/hist6/poem.html
• "Poem from Miss Kilmansegg: Her Moral, by English poet Thomas Hood (1799-1845)."

Gold! Gold! Gold! Gold! 
Bright and yellow, hard and cold
Molten, graven, hammered and rolled,
Heavy to get and light to hold,
Hoarded, bartered, bought and sold,
Stolen, borrowed, squandered, doled,
Spurned by young, but hung by old
To the verge of a church yard mold;
Price of many a crime untold.
Gold! Gold! Gold! Gold! 
Good or bad a thousand fold!
  How widely it agencies vary,
To save - to ruin - to curse - to bless -
As even its minted coins express :
Now stamped with the image of Queen Bess,
  And now of a bloody Mary.

The Last Man - Thomas Hood

• The Last Man by Thomas Hood (1799-1845): http://www.litgothic.com/Texts/last_man.html
• "Thomas Hood (1799-1845) Born in London, the son of a London book-seller, Hood -- like Dickens, Ainsworth and Le Fanu -- was editor of several magazines, such as The Gem, The Comic Annual and the New Monthly Magazine, before founding his own Hood's Magazine in 1843. Although mainly known as a satirist and humourous writer, he wrote several macabre poems of high quality. His most famous work is probably The Dream of Eugene Aram (The Gem, 1829; published separately 1831), based on the true story of a murder in King's Lynn, Norfolk.
  "The Last Man" was published in 1824, two years before Mary Shelley's novel of the same name, and is very probably part of her inspiration. (Graham Allen, of University College Cork, argued persuasively in a paper last year that Shelley's work was strongly influenced by Malthus, with whom her father William Godwin had had a controversy.) The idea that in 2001 England still had public executions for theft, not to mention gibbets, is not so strange -- look at other parts of the world! "
• The Last Man by Thomas Hood (1799-1845): http://www.rc.umd.edu/editions/mws/lastman/hood.htm

No! - Thomas Hood

NO sun--no moon! 
No morn--no noon! 
No dawn--no dusk--no proper time of day-- 
No sky--no earthly view-- 
No distance looking blue-- 
No road--no street--no "t'other side this way"-- 
No end to any Row-- 
No indications where the Crescents go-- 
No top to any steeple-- 
No recognitions of familiar people-- 
No courtesies for showing 'em-- 
No knowing 'em! 
No traveling at all--no locomotion-- 
No inkling of the way--no notion-- 
"No go" by land or ocean-- 
No mail--no post-- 
No news from any foreign coast-- 
No Park, no Ring, no afternoon gentility-- 
No company--no nobility-- 
No warmth, no cheerfulness, no healthful ease, 
No comfortable feel in any member-- 
No shade, no shine, no butterflies, no bees, 
No fruits, no flowers, no leaves, no birds-- 
November! 

Silence - Thomas Hood

• Silence by Thomas Hood (1799-1845): http://geocities.com/~spanoudi/poems/hood01.html

THERE is a silence where hath been no sound, 
There is a silence where no sound may be, 
In the cold grave--under the deep, deep, sea, 
Or in wide desert where no life is found, 
Which hath been mute, and still must sleep profound; 
No voice is hushed--no life treads silently, 
But clouds and cloudy shadows wander free, 
That never spoke, over the idle ground: 
But in green ruins, in the desolate walls 
Of antique palaces, where Man hath been, 
Though the dun fox, or wild hyena, calls, 
And owls, that flit continually between, 
Shriek to the echo, and the low winds moan, 
There the true Silence is, self-conscious and alone. 

The Death Bed - Thomas Hood

We watch’d her breathing thro’ the night,
   Her breathing soft and low,
As in her breast the wave of life
   Kept heaving to and fro.

So silently we seem’d to speak,
   So slowly moved about,
As we had lent her half our powers
   To eke her living out.

Our very hopes belied our fears,
   Our fears our hopes belied - 
We thought her dying when she slept,
   And sleeping when she died.

For when the morn came dim and sad,
   And chill with early showers,
Her quiet eyelids closed - she had
   Another morn than ours.

Flowers - Thomas Hood

• Flowers by Thomas Hood (1799-1845): http://access.victoria.bc.ca/~joannee/poetry/hood.htm

The Bridge of Sighs - Thomas Hood

• The Bridge of Sighs by Thomas Hood (1799-1845): http://geocities.com/~spanoudi/poems/hood01.html

William Allingham, A Memory

FOUR ducks on a pond,
A grass bank beyond,
A blue sky of spring,
White clouds on the wing:
What a little thing
To remember for years,
To remember with tears! 

• The G. K. Chesterton Web Page: http://www.chesterton-library.net/

G.K. Chesterton (1874 - 1936)

The Secret People - G. K. Chesterton   (1874 - 1936)

Smile at us, pay us, pass us; but do not quite forget,
For we are the people of England, that never has spoken yet.
There is many a fat farmer that drinks less cheerfully,
There is many a free French peasant who is richer and sadder than we.
There are no folk in the whole world so helpless or so wise.
There is hunger in our bellies, there is laughter in our eyes;
You laugh at us and love us, both mugs and eyes are wet:
Only you do not know us. For we have not spoken yet.

The fine French kings came over in a flutter of flags and dames.
We liked their smiles and battles, but we never could say their names.
The blood ran red to Bosworth and the high French lords went down;
There was naught but a naked people under a naked crown.
And the eyes of the King's Servants turned terribly every way,
And the gold of the King's Servants rose higher every day.
They burnt the homes of the shaven men, that had been quaint and kind,
Till there was no bed in a monk's house, nor food that man could find.
The inns of God where no man paid, that were the wall of the weak,
The King's Servants ate them all. And still we did not speak.

And the face of the King's Servants grew greater than the King:
He tricked them, and they trapped him, and stood round him in a ring.
The new grave lords closed round him, that had eaten the abbey's fruits,
And the men of the new religion, with their Bibles in their boots,
We saw their shoulders moving, to menace or discuss,
And some were pure and some were vile; but none took heed of us.
We saw the King as they killed him, and his face was proud and pale;
And a few men talked of freedom, while England talked of ale.

A war that we understood not came over the world and woke
Americans, Frenchmen, Irish; but we knew not the things they spoke.
They talked about rights and nature and peace and the people's reign:
And the squires, our masters, bade us fight; and never scorned us again.
Weak if we be for ever, could none condemn us then;
Men called us serfs and drudges; men knew that we were men.
In foam and flame at Trafalgar, on Albuera plains,
We did and died like lions, to keep ourselves in chains,
We lay in living ruins; firing and fearing not
The strange fierce face of the Frenchman who knew for what he fought,
And the man who seemed to be more than man we strained against and broke;
And we broke our own rights with him. And still we never spoke.

Our path of glory ended; we never heard guns again.
But the squire seemed struck in the saddle; he was foolish, as if in pain.
He leaned on a staggering lawyer, he clutched a cringing Jew,
He was stricken; it may be, after all, he was stricken at Waterloo.
Or perhaps the shades of the shaven men, whose spoil is in his house,
Come back in shining shapes at last to spoil his last carouse:
We only know the last sad squires ride slowly towards the sea,
And a new people takes the land: and still it is not we.

They have given us into the hands of the new unhappy lords,
Lords without anger and honour, who dare not carry their swords.
They fight by shuffling papers; they have bright dead alien eyes;
They look at our labour and laughter as a tired man looks at flies.
And the load of their loveless pity is worse than the ancient wrongs,
Their doors are shut in the evenings; and they know no songs.

We hear men speaking for us of new laws strong and sweet,
Yet is there no man speaketh as we speak in the street.
It may be we shall rise the last as Frenchmen rose the first,
Our wrath come after Russia's wrath and our wrath be the worst.
It may be we are meant to mark with our riot and our rest
God's scorn for all men governing. It may be beer is best.
But we are the people of England; and we have not spoken yet.
Smile at us, pay us, pass us. But do not quite forget.

The Sword of Suprise - G. K. Chesterton   (1874 - 1936)

Sunder me from my bones, O sword of God
Till they stand stark and strange as do the trees;
That I whose heart goes up with the soaring woods
May marvel as much at these.

Sunder me from my blood that in the dark
I hear that red ancestral river run
Like branching buried floods that find the sea
But never see the sun.

Give me miraculous eyes to see my eyes
Those rolling mirrors made alive in me
Terrible crystals more incredible
Than all the things they see

Sunder me from my soul, that I may see
The sins like streaming wounds, the life's brave beat
Till I shall save myself as I would save
A stranger in the street.

The Donkey - G. K. Chesterton   (1874 - 1936)

When fishes flew and forests walked
And trees grew upon thorn
Some moment when the moon was blood
Then surely I was born. 

With monstrous head and sickening cry
And ears like errant wings
The devil's walking parody
On all four-footed things. 

The tattered outlaw of the earth,
Of ancient crooked will; 
Starve, scourge, deride me: I am dumb,
I keep my secret still. 

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet. 

A Child of the Snows  - G. K. Chesterton   (1874 - 1936)

There is heard a hymn when the panes are dim,
And never before or again,
When the nights are strong with a darkness long,
And the dark is alive with rain.

Never we know but in sleet and in snow,
The place where the great fires are,
That the midst of the earth is a raging mirth
And the heart of the earth a star.

And at night we win to the ancient inn
Where the child in the frost is furled,
We follow the feet where all souls meet
At the inn at the end of the world.

The gods lie dead where the leaves lie red,
For the flame of the sun is flown,
The gods lie cold where the leaves lie gold,
And a Child comes forth alone.

For a War Memorial  - Gilbert Keith Chesterton   (1874 - 1936)

http://en.wikisource.org/wiki/For_a_War_Memorial

Suggested inscription probably not selected by the Committee.

The hucksters haggle in the mart
The cars and carts go by;
Senates and schools go droning on;
For dead things cannot die.

A storm stooped on the place of tombs
With bolts to blast and rive;
But these be names of many men
The lightning found alive.

If usurers rule and rights decay
And visions view once more
Great Carthage like a golden shell
Gape hollow on the shore,

Still to the last of crumbling time
Upon this stone be read
How many men of England died
To prove they were not dead.

A Hymn: O God of Earth and Altar  - G. K. Chesterton   (1874 - 1936)

O God of earth and altar,
Bow down and hear our cry,
Our earthly rulers falter,
Our people drift and die;
The walls of gold entomb us,
The swords of scorn divide,
Take not thy thunder from us,
But take away our pride.

From all that terror teaches,
From lies of tongue and pen,
From all the easy speeches
That comfort cruel men,
From sale and profanation
Of honour and the sword,
From sleep and from damnation,
Deliver us, good Lord.

Tie in a living tether
The prince and priest and thrall,
Bind all our lives together,
Smite us and save us all;
In ire and exultation
Aflame with faith, and free,
Lift up a living nation,
A single sword to thee.

Elegy in a Country Churchyard  - G. K. Chesterton   (1874 - 1936)

The men that worked for England
They have their graves at home:
And bees and birds of England
About the cross can roam.

But they that fought for England,
Following a falling star,
Alas, alas for England
They have their graves afar.

And they that rule in England,
In stately conclave met,
Alas, alas for England,
They have no graves as yet.

Matthew Arnold (1822-1888)

• Dover Beach by Matthew Arnold
  • http://www.hooked.net/users/jalsop/larkin.html

The sea is calm to-night.  
The tide is full, the moon lies fair  
Upon the straits;--on the French coast the light  
Gleams and is gone; the cliffs of England stand,  
Glimmering and vast, out in the tranquil bay.  
Come to the window, sweet is the night-air!  
Only, from the long line of spray  
Where the sea meets the moon-blanch'd land,  
Listen! you hear the grating roar  
Of pebbles which the waves draw back, and fling,  
At their return, up the high strand,  
Begin, and cease, and then again begin,  
With tremulous cadence slow, and bring  
The eternal note of sadness in.  

Sophocles long ago  
Heard it on the Aegean, and it brought  
Into his mind the turbid ebb and flow  
Of human misery; we  
Find also in the sound a thought,  
Hearing it by this distant northern sea.  

The Sea of Faith  
Was once, too, at the full, and round earth's shore  
Lay like the folds of a bright girdle furl'd.  
But now I only hear  
Its melancholy, long, withdrawing roar,  
Retreating, to the breath  
Of the night-wind, down the vast edges drear  
And naked shingles of the world.  

Ah, love, let us be true  
To one another! for the world, which seems  
To lie before us like a land of dreams,  
So various, so beautiful, so new,  
Hath really neither joy, nor love, nor light,  
Nor certitude, nor peace, nor help for pain;  
And we are here as on a darkling plain  
Swept with confused alarms of struggle and flight,  
Where ignorant armies clash by night.

Henry Wadsworth Longfellow (1807-1882)

Ivor Gurney (1890 - 1937)

• Beauty by Ivor Gurney (1890 - 1937) (From Ivor Gurney: Collected Letters)
  • http://www.geneva.edu/~dksmith/gurney/poetry.html#Beauty

"From the trenches of war, on a page of a letter which is spattered and
stained, with the note, "Bully beef at fault," one finds the following poem:"

Beauty 

I cannot live with Beauty out of mind. 
I search for her and desire her all the day; 
Beauty, the choicest treasure you may find, 
Most joyous and sweetest word his lips can say. 
The crowded heart in me is quick with visions 
And sweetest music born of a brighter day. 

But though the trees have long since lost their green 
And I, the exile, can but dream of things 
Grown magic in the mind; I watch the sheen 
Of frost, and hear the song Orion sings. 
Yet O, the star-born passion of Beethoven, 
Man's consolation sung on the quivering strings. 

Beauty immortal, not to be hid, desire 
Of all men, each in his fashion, give me the strong 
Thirst past satisfaction for thee, and fire 
Not to be quenched . . . . O lift me, bear me along, 
Touch me, make me worthy that men may seek me 
For Beauty, Mistress Immortal, Healer of Wrong. 

Josiah Gilbert Holland (1819-1881)

• God, give us men! by Josiah Gilbert Holland (1819-1881)
  • http://www.theotherpages.org/poems/holland1.html

God, give us men!

God, give us men! A time like this demands 
Strong minds, great hearts, true faith and ready hands; 
Men whom the lust of office does not kill; 
Men whom the spoils of office can not buy; 
Men who possess opinions and a will; 
Men who have honor; men who will not lie; 
Men who can stand before a demagogue 
And damn his treacherous flatteries without winking! 
Tall men, sun-crowned, who live above the fog 
In public duty, and in private thinking; 
For while the rabble, with their thumb-worn creeds, 
Their large professions and their little deeds, 
Mingle in selfish strife, lo! Freedom weeps, 
Wrong rules the land and waiting Justice sleeps. 

Philip Larkin (1922 - 1985)

• ALCS - The Authors' Licensing and Collecting Society - http://www.alcs.co.uk

• Refer - http://www.coventry.org.uk/heritage/people/larkin/
• Refer - http://www.poets.org/lit/poet/plarkin.htm
• Refer - http://www.rrz.uni-koeln.de/phil-fak/englisch/larkin.html

• "I Remember, I Remember" - Philip Larkin
  • http://www.hooked.net/users/jalsop/larkin.html
• Refer the poem: I Remember, I Remember by Thomas Hood

• "This Be The Verse" - Philip Larkin
  • http://www.xs4all.nl/~ace/Literaria/Poem-Larkin.html

    This be the verse
    
    They fuck you up, your mum and dad
    They may not mean to, but they do.
    They fill you with the faults they had
    And add some extra, just for you. 
    
    But they were fucked up in their turn
    By fools in old-style hats and coats,
    Who half the time were soppy-stern
    And half at one another's throats 
    
    Man hands on misery to man.
    It deepens like a coastal shelf.
    Get out as early as you can,
    And don't have any kids yourself. 
    
    - Philip Larkin
    

• "An Arundel Tomb" - Philip Larkin
  • http://poetry.nanvaent.org/vl/poem.asp?id=485

John Donne (1572-1631)

Meditation 17 / XVII. MEDITATION

• http://www.stanford.edu/~aaronm/poems/donne.html
• http://www.rjgeib.com/thoughts/donne/donne.html
• http://www.imaginary.com/~george/arts/literature/meditation17.html
• http://www.netten.net/~bmassey/belltoll.html

Now, this Bell tolling softly for another, saies to me, Thou must die.

PERCHANCE hee for whom this Bell tolls, may be so ill, as that he knowes not it tolls for him; And perchance I may thinke my selfe so much better than I am, as that they who are about mee, and see my state, may have caused it to toll for mee, and I know not that. The Church is Catholike, universall, so are all her Actions; All that she does, belongs to all. When she baptizes a child, that action concernes mee; for that child is thereby connected to that Head which is my Head too, and engraffed into that body, whereof I am a member. And when she buries a Man, that action concernes me: All mankinde is of one Author, and is one volume; when one Man dies, one Chapter is not torne out of the booke, but translated into a better language; and every Chapter must be so translated; God emploies several translators; some peeces are translated by age, some by sicknesse, some by warre, some by justice; but Gods hand is in every translation; and his hand shall binde up all our scattered leaves againe, for that Librarie where every booke shall lie open to one another: As therefore the Bell that rings to a Sermon, calls not upon the Preacher onely, but upon the Congregation to come; so this Bell calls us all: but how much more mee, who am brought so neere the doore by this sicknesse. There was a contention as farre as a suite, (in which both pietie and dignitie, religion, and estimation, were mingled) which of the religious Orders should ring to praiers first in the Morning; and it was that they should ring first that rose earliest. If we understand aright the dignitie of this Belle that tolls for our evening prayer, wee would bee glad to make it ours, by rising early, in that application, that it might bee ours, as wel as his, whose indeed it is. The Bell doth toll for him that thinkes it doth; and though it intermit againe, yet from that minute, that that occasion wrought upon him, hee is united to God. Who casts not up his Eye to the Sunne when it rises? but who takes off his Eye from a Comet when that breakes out? Who bends not his eare to any bell, which upon any occasion rings? but who can remove it from that bell, which is passing a peece of himselfe out of this world?

No man is an Iland, intire of it selfe; every man is a peece of the Continent, a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee. Neither can we call this a begging of Miserie or a borrowing of Miserie, as though we were not miserable enough of our selves, but must fetch in more from the next house, in taking upon us the Miserie of our Neighbours.

Truly it were an excusable covetousnesse if wee did; for affliction is a treasure, and scarce any man hath enough of it. No man hath affliction enough that is not matured, and ripened by it, and made fit for God by that affliction. If a man carry treasure in bullion, or in a wedge of gold, and have none coined into currant Monies, his treasure will not defray him as he travells. Tribulation is Treasure in the nature of it, but it is not currant money in the use of it, except wee get nearer and nearer our home, Heaven, by it. Another man may be sicke too, and sick to death, and this affliction may lie in his bowels, as gold in a Mine, and be of no use to him; but this bell, that tells me of his affliction, digs out, and applies that gold to mee: if by this consideration of anothers danger, I take mine owne into contemplation, and so secure my selfe, by making my recourse to my God, who is our onely securitie.

Nunc lento sonitu dicunt, morieris.
Now this bell tolling softly for another, says to me, thou must die.

Perchance he for whom this bell tolls may be so ill that he knows not it tolls for him; and perchance I may think myself so much better than I am, as that they who are about me and see my state may have caused it to toll for me, and I know not that. The church is catholic, universal, so are all her actions; all that she does belongs to all. When she baptizes a child, that action concerns me; for that child is thereby connected to that head which is my head too, and ingrafted into the body whereof I am a member. And when she buries a man, that action concerns me: all mankind is of one author and is one volume; when one man dies, one chapter torn out of the book, but translated into a better language; and every chapter must be so translated. God employs several translaters; some pieces are translated by age, some by sickness, some by war, some by justice; but God's hand is in every translation, and his hand shall bind up all our scattered leaves again for that library where every book shall lie open to one another. As therefore the bell that rings a sermon calls not upon the preacher only, but upon the congregation to come, so this bell calls us all; but how much more me, who am brought so near the door by this sickness. There was a contention as far as a suit (in which piety and dignity, religion and estimation, were mingled) which of the religious orders should ring to prayers first in the morning; and it was determined that they should ring first that rose earliest. If we understand aright the dignity of this bell that tolls for our evening prayer, we would be glad to make it ours by rising early, in that application, that it might be ours as wellas his whose indeed it is. The bell doth toll for him that thinks it doth; and though it intermit again, yet from that minute that that occasion wrought upon him, he is united to God. Who casts not up his eye to the sun when it rises? But who takes off his eye from a comet when that out? Who bends not his ear to any bell which upon any occasion rings? But who can remove it from that bell which is passing a piece of himself out of this world?

No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if promontory were, as well as if a manor of thy friend's or of thine own were. Any man's death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee. Niether can we call this a begging of misery or a borrowing of misery, as though we are not miserable enough of ourselves but must fetch in more from the next house, in taking upon us the misery of our neighbors.

Delmore Schwartz (1913-1966)

Calmly We Walk Through This April's Day - Delmore Schwartz (1913-1966)

• Schwartz, Delmore (1913-1966) : http://www.onlinepoetryclassroom.org/poets/poets.cfm?prmID=1144
• Schwartz, Delmore (1913-1966) : http://www.litencyc.com/php/speople.php?rec=true&UID=3971
• Refer - http://www.plagiarist.com/text/?wid=3916
• Refer - http://www.poemhunter.com/p/m/poem.asp?poet=9700&poem=87494

Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)

(This is the school in which we learn...)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn . . .)
Ravished entirely in their passing play!
(...that time is the fire in which they burn.)

Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
                                 No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

All Night, All Night - Delmore Schwartz (1913-1966)

• Refer - http://www.poemhunter.com/p/m/poem.asp?poet=9700&poem=87356

"I have been one acquainted with the night" - Robert Frost

Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.

Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --

The bored center of this vision and condition looked and looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and readers.

And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.

A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.

And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.

And then the bird cried as if to all of us:

O your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's knife
Provides the answer ultimate and appropriate?

As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down, 
An endlessly helplessly falling and appalled clown:

This is the way that night passes by, this 
Is the overnight endless trip to the famous unfathomable abyss.

Gregory Corso (1930-2001)

I MET THIS GUY WHO DIED - Gregory Corso (1930-2001)

• Refer - http://www.geocities.com/Paris/LeftBank/4431/past.html

For J.L.K. 
  We caroused 
     did the bars 
         became fast friends 
  He wanted me to tell him 
     what poetry was 
         I told him 

  Happy tipsy one night 
  I took him home to see my newborn child 
  A great sorrow overcame him 
  "O Gregory" he moaned 
          "you brought up something to die" 

Stephen Crane

The Heart - by Stephen Crane

• Refer - http://www.geocities.com/Paris/LeftBank/4431/poetry.html

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter-bitter," he answered;
"But I like it
Because it is bitter,
And because it is my heart."

Kenneth Slessor (1901-1971)

Cannibal Street - Kenneth Slessor (1901-1971)

• Refer - http://www.geocities.com/Paris/LeftBank/4431/past.html

    "Buy, who'll buy," the pedlar sings, 
    "Bones of beggars, loins of kings, 
    Ribs of murder, haunch of hate, 
    And Beauty's head on a butcher's plate!" 

    Hook by hook, on steaming stalls, 
    The hero hangs, the harlot sprawls; 
    For Helen's flesh, in such a street, 
    Is only a kind of dearer meat. 

    "Buy, who'll buy," the pedlar begs, 
    "Angel-wings and lady-legs, 
    Tender bits and dainty parts-
    Buy, who'll buy my skewered hearts?" 

    Buy, who'll buy? The cleavers fall, 
    The dead men creak, the live men call, 
    And I (God save me) bargained there, 
    Paid my pennies and ate my share. 

William Drummond (1585-1649)

Madrigal

My thoughts hold mortal strife;
I do detest my life,
And with lamenting cries
Peace to my soul to bring
Oft call that prince which here doth monarchize;
--But he, grim grinning King,
Who caitiffs scorns, and doth the blest surprise,
Late having deck'd with beauty's rose his tomb,
Disdains to crop a weed, and will not come.

Langston Hughes (1902-1967)

• Langston Hughes (1902-1967) - http://www.poets.org/poets/poets.cfm?prmID=84
• Langston Hughes (1902-1967) - http://www.nku.edu/~diesmanj/hughes.html
• Langston Hughes (1902-1967) - http://www.redhotjazz.com/hughes.html
• Langston Hughes (1902-1967) Teacher Resource File - http://falcon.jmu.edu/~ramseyil/hughes.htm
• Langston Hughes (1902-1967) - http://www.english.uiuc.edu/maps/poets/g_l/hughes/hughes.htm
  • A Right-Wing Anti-Hughes Flier - http://www.english.uiuc.edu/maps/poets/g_l/hughes/flier.htm

The Negro Speaks of Rivers by Langston Hughes

• The Negro Speaks of Rivers by Langston Hughes - http://www.poets.org/poems/poems.cfm?prmID=1652

I've known rivers:
I've known rivers ancient as the world and older than the
     flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln 
     went down to New Orleans, and I've seen its muddy 
     bosom turn all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

• Dinner Guest: Me by Langston Hughes - http://www.nku.edu/~diesmanj/hughes.html

I know I am
The Negro Problem
Being wined and dined,
Answering the usual questions
That come to white mind
Which seeks demurely
To Probe in polite way
The why and wherewithal
Of darkness U.S.A.--
Wondering how things got this way
In current democratic night,
Murmuring gently 
Over fraises du bois,
"I'm so ashamed of being white."

The lobster is delicious,
The wine divine,
And center of attention
At the damask table, mine.
To be a Problem on
Park Avenue at eight
Is not so bad.
Solutions to the Problem,
Of course, wait.

• Dream Deferred by Langston Hughes - http://www.nku.edu/~diesmanj/hughes.html

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

• Proem by Langston Hughes (from "The Weary Blues")

I am a Negro:
  Black as the night is balck,
  Black like the depths of my Africa

I've been a slave:
  Caesar told me to keep his door-steps clean
  I brushed the boots of Washington

I've been a worker
  Under my hand the pyramids arose.
  I made the mortar for the Woolworth Building.

I've been a singer:
  All the way from Africa to Georgia
  I carried my sorrow songs.
  I made ragtime.

I've been a victim:
  The Belgians cut off my hands in the Congo
  They lynch me now in Texas

I am a Negro:
  Black as the night is black,
  Black like the depths of my Africa.

Goodbye Christ by Langston Hughes

• Goodbye Christ by Langston Hughes - http://oak.cats.ohiou.edu/~hartleyg/poetry/goodbye.html
• On "Goodbye Christ" by Langston Hughes - http://www.english.uiuc.edu/maps/poets/g_l/hughes/goodbye.htm
• A Right-Wing Anti-Hughes Flier on "Goodbye Christ"- http://www.english.uiuc.edu/maps/poets/g_l/hughes/flier.htm

Listen, Christ, 
You did alright in your day, I reckon - 
But that day's gone now. 
They ghosted you up a swell story, too, 
Called it Bible - 
But it's dead now, 
The popes and the preachers've 
Made too much money from it. 
They've sold you to too many 


Kings, generals, robbers, and killers - 
Even to the Tzar and the Cossacks, 
Even to Rockefeller's Church, 
Even to THE SATURDAY EVENING POST. 
You ain't no good no more. 
They've pawned you 
Till you've done wore out. 

Goodbye, 
Christ Jesus Lord God Jehova, 
Beat it on away from here now. 
Make way for a new guy with no religion at all - 
A real guy named 
Marx Communist Lenin Peasant Stalin Worker ME - 
I said, ME! 

Go ahead on now, 
You're getting in the way of things, Lord. 
And please take Saint Ghandi with you when you go, 
And Saint Pope Pius, 
And Saint Aimee McPherson, 
And big black Saint Becton 
Of the Consecrated Dime. 
And step on the gas, Christ! 
Move! 

Don't be so slow about movin? 
The world is mine from now on - 
And nobody's gonna sell ME 
To a king, or a general, 
Or a millionaire. 

Published in Negro Worker (Nov.-Dec. 1932)

• To a Little Lover-Lass, Dead by Langston Hughes (from "The Weary Blues")

She
Who searched for lovers
In the night
Has gone the quiet way
Into the still,
Dark land of death
Beyond the rim of day.

Now like a little lonely waif
She walks
An endless street
And gives her kiss to nothingness.
Would God his lips were sweet!

• Young Prostitute by Langston Hughes (from "The Weary Blues")

Her dark brown face
Is like a withered flower
On a broken stem.
Those kind come cheap in Harlem
So they say.

• The South by Langston Hughes (from "The Weary Blues")

The lazy, laughing South
With blood on its mouth.
The sunny-faced South,
  Beast-strong
  Idiot-brained.
The child-minded South
Scratching in the dead fire's ashes
For a Negro's bones.
  Cotton and the moon,
  Warmth, earth, warmth,
  The sky, the sun, the stars,
  The magnolia-scented South.
Beautiful like a woman,
Seductive as a dark-eyed whore,
  Passionate, cruel,
  Honey-lipped, syphilitic -
  That is the South.
And I, who am black, would love her
But she spits in my face.
And I, who am black,
Would give her many rare gifts
But she turns her back upon me.
  So now I seek the North -
  The cold-faced North,
  For she, they say,
  Is a kinder mistress,
And in her house my children
May escape the spell of the South.

• Pierrot by Langston Hughes (from "The Weary Blues")

I work all day,
Said Simple John,
Myself a house to buy.
I work all day,
Said Simple John,
But Pierrot wondered why.

For Pierrot loved the long white road,
And Pierrot loved the moon,
And Pierrot loved a star-filled sky,
And the breath of a rose in June.

I have one wife,
Said Simple John,
And, faith, I love her yet.
I have one wife,
Said Simple John,
But Pierrot left Pierrette.

For Pierrot saw a world of girls,
And Pierrot loved each one,
And Pierrot thought all maidens fair
As flowers in the sun.

Oh, I am good,
Said Simple John,
The Lord will take me in.
Yes, I am good,
Said Simple John,
But Pierrot's steeped in sin.

For Pierrot played on a slim guitar
And Pierrot loved the moon,
And Pierrot ran down the long white road
With the burgher's wife one June.

• Long Trip by Langston Hughes (from "The Weary Blues")

The sea is a wilderness of waves
A desert of water.
We dip and dive.
Rise and roll,
Hide and are hidden
On the sea.
  Day, night,
  Night, day,
The sea is a desert of waves,
A wilderness of water.

• Sea Calm by Langston Hughes (from "The Weary Blues")

How still,
How strangely still
The water is today.
It is not good
For water
To be so still that way.

• Caribbean Sunset by Langston Hughes (from "The Weary Blues")

God having a hemorrhage,
Blood coughed across the sky,
Staining the dark sea red,
That is sunset in the Caribbean.

• Young Sailor by Langston Hughes (from "The Weary Blues")

He carries
His own strength
And his own laughter,
His own today
And his own hereafter, - 
This strong young sailor
Of the wide seas.

What is money for?
To spend, he ways.
And wine?
To drink.
And women?
To love.
And today?
For joy.
And tomorrow?
For joy.
And the green sea
For strength,
And the brown land
For laughter.
And nothing hereafter.

• Sea Charm by Langston Hughes (from "The Weary Blues")

Sea charm
The sea's own children
Do not understand.
They know
But that the sea is strong
Like God's hand.
They know
But the sea wind is sweet
Like God's breath,
And that the sea holds
A wide, deep death.

• Death of an Old Seaman by Langston Hughes (from "The Weary Blues")

We buried him high on a windy hill,
But his soul went out to sea.
I know, for I heard, when all was still,
His sea-soul say to me:

Put no tombstone at my head,
For here I do not make my bed.
Strew no flowers on my grave,
I've gone back to the wind and wave.
Do not, do not weep for me,
For I am happy with my sea.

• Troubled Woman by Langston Hughes (from "The Weary Blues")

She stands
In the quiet darkness,
This troubled woman,
Bowed by
Weariness and pain,
Lie an Autumn flower
In the frozen rain.
Like a
Wind-blown autumn flower
That never lifts its head
Again

• Suicide's Note by Langston Hughes (from "The Weary Blues")

The calm,
Cool face of the river
Asked me for a kiss.

• Sick Room by Langston Hughes (from "The Weary Blues")

How quiet
It is in this sick room
Where on the bed
A silent woman lies between two lovers -
Life and Death,
And all three covered with a sheet of pain.

• Soledad - A Cuban Portrait by Langston Hughes (from "The Weary Blues")

The shadows
Of too many nights of love
Have fallen beneath your eyes.
Your eyes,
So full of pain and passion,
So full of lies.
So full of pain and passion,
Soledad, So deeply scarred,
So still with silent cries.

• Young Bride by Langston Hughes (from "The Weary Blues")

They say she died, -
Although I do not know,
They say she died of grief
And in the earth-dark arms of Death
Sought calm relief,
And rest from pain of love
In loveless sleep.

• Poem (To F.S.) by Langston Hughes (from "The Weary Blues")

I loved my friend.
He went away from me.
There's nothing more to say.
The poem ends,
Soft as it began, -
I loved my friend.

• Lament for Dark Peoples by Langston Hughes (from "The Weary Blues")

I was a red man one time,
But the white men came.
I was a black man, too,
But the white men came.

They drive me out of the forest.
They too me away from the jungles.
I lost my trees.
I lost my silver moons.

Now they've caged me
In the circus of civilization.
Now I'm here with the many -
Caged in the circus of civilisation

• Afraid by Langston Hughes (from "The Weary Blues")

We cry among the skyscrapers
As our ancestors
Cried among the palms in Africa
Because we are alone,
It is night,,
And we're afraid.

• Disillusion by Langston Hughes (from "The Weary Blues")

I would be simple again,
Simple and clean
Like the earth,
Like the rain,
Now ever know,
Dark Harlem,
The wild laughter
Or your mirth
Not the salt tears
Of your pain.
Be kind to me,
Oh, great dark city.
Let me forget.
I will not come
To you again.

• Justice by Langston Hughes - http://www.novia.net/~aaronk/ls/hughes.html

That Justice is a blind goddess
Is a thing to which we black are wise:
Her bandage hides two festering sores
That once perhaps were eyes.

• America by Langston Hughes - http://www.militaryproject.org/article.asp?id=571

America

You really haven't been a virgin for so long.
It's ludicrous to keep up the pretext...
You've slept with all the big powers
In military uniforms,
And you've taken the sweet life
Of all the little brown fellows...
 
Being one of the world's big vampires,
Why don't you come on out and say so
Like Japan, and England, and France,
And all the other nymphomaniacs of power.
Langston Hughes

Robert Frost

• Stopping by Woods on a Snowy Evening - http://poetry.nanvaent.org/vl/poem.asp?id=380 - http://www.robertfrost.org/

Stopping by Woods on a Snowy Evening (Robert Frost 1874-1963)

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Acquainted with the Night (Robert Frost 1874-1963)

 
I have been one acquainted with the night.
I have walked out in rain -- and back in rain.
I have outwalked the furthest city light. 

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain. 

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street, 

But not to call me back or say good-bye;
And further still at an unearthly height,
O luminary clock against the sky 

Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

The Road Less Travelled (Robert Frost 1874-1963)

 
Two roads diverged in a yellow wood,
   And sorry I could not travel both
   And be one traveler, long I stood
And looked down one as far as I could
 To where it bent in the undergrowth.

  Then took the other, as just as fair,
 And having perhaps the better claim,
  For it was grassy, and wanted wear
  Though as for that the passing there
 Had worn them really about the same,

    Both that morning equally lay
 In leaves no step had trodden black.
  Oh, I kept the first for another day;
Yet knowing how way leads on to way
 I doubted if I should ever come back.

I shall be telling this with a sigh
   Somewhere ages and ages hence:
Two roads diverged in a wood, and I --
   I took the road less traveled by,
 And that has made all the difference. 

The Sound of the Trees (Robert Frost 1874-1963)

 
I wonder about the trees.
Why do we wish to bear
Forever the noise of these
More than another noise
So close to our dwelling place?

We suffer them by the day
Till we lose all measure of pace,
And fixity in our joys,
And acquire a listening air.
They are that that talks of going

But never gets away;
And that talks no less for knowing,
As it grows wiser and older,
That now it means to stay.
My feet tug at the floor

And my head sways to my shoulder
Sometimes when I watch trees sway,
From the window or the door.
I shall set forth for somewhere,
I shall make the reckless choice

Some day when they are in voice
And tossing so as to scare
The white clouds over them on.
I shall have less to say,
But I shall be gone.

Arthur Hugh Clough (1819-1861)

• The Latest Decalogue - http://www.cs.rice.edu/~ssiyer/minstrels/poems/159.html

• Works and poetry of Arthur Hugh Clough (1819-1861) - http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/index.html

The Latest Decalogue by Arthur Hugh Clough (1819-1861)

Thou shalt have one God only; who
Would be at the expense of two?
No graven images may be
Worshipp'd, except the currency:
Swear not at all; for, for thy curse
Thine enemy is none the worse:
At church on Sunday to attend
Will serve to keep the world thy friend:
Honour thy parents; that is, all
From whom advancement may befall:
Thou shalt not kill; but need'st not strive
Officiously to keep alive:
Do not adultery commit;
Advantage rarely comes of it:
Thou shalt not steal; an empty feat,
When it's so lucrative to cheat:
Bear not false witness; let the lie
Have time on its own wings to fly:
Thou shalt not covert; but tradition
Approves all forms of competition.

Note:
  One of the two extant manuscripts has four additional lines, not printed
  in any early edition of Clough, summarizing his decalogue in an ironic
  restatement of the two great commandments of the law (Matthew 22: 37-39):

   The sum of all is, thou shalt love,
   If any body, God above:
   At any rate shall never labour
   More than thyself to love thy neighbour."

• There is no god, the wicked sayeth by Arthur Hugh Clough (1819-1861) - http://www.cs.rice.edu/~ssiyer/minstrels/poems/69.html

• Works and poetry of Arthur Hugh Clough (1819-1861) - http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/index.html

There is no god, the wicked sayeth by Arthur Hugh Clough (1819-1861)

"There is no God," the wicked saith,
    "And truly it's a blessing,
For what He might have done with us
    It's better only guessing."

"There is no God," a youngster thinks,
    "or really, if there may be,
He surely did not mean a man
    Always to be a baby."

"There is no God, or if there is,"
    The tradesman thinks, "'twere funny
If He should take it ill in me
    To make a little money."

"Whether there be," the rich man says,
    "It matters very little,
For I and mine, thank somebody,
    Are not in want of victual."

Some others, also, to themselves,
    Who scarce so much as doubt it,
Think there is none, when they are well,
    And do not think about it.

But country folks who live beneath
    The shadow of the steeple;
The parson and the parson's wife,
    And mostly married people;

Youths green and happy in first love,
    So thankful for illusion;
And men caught out in what the world
    Calls guilt, in first confusion;

And almost everyone when age,
    Disease, or sorrows strike him,
Inclines to think there is a God,
    Or something very like Him.

• Say Not the Struggle Nought Availeth by Arthur Hugh Clough (1819-1861) - http://www.gbarto.com/ubsweb/saynotf.html

• Works and poetry of Arthur Hugh Clough (1819-1861) - http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/index.html

Say Not the Struggle Nought Availeth by Arthur Hugh Clough (1819-1861)

Say not the struggle nought availeth 
The labour and the wounds are vain, 
The enemy faints not, nor faileth, 
And as things have been, things remain. 
If hopes were dupes, fears may be liars; 
It may be, in yon smoke concealed, 
Your comrades chase e'en now the fliers, 
And, but for you, possess the field. 
For while the tired waves, vainly breaking, 
Seem here no painful inch to gain, 
Far back through creeks and inlets making 
Comes silent, flooding in, the main. 
And not by eastern windows only, 
When daylight comes, comes in the light, 
In front the sun climbs slow, how slowly, 
But westward, look, the land is bright. 

Robert W. Service

• Rhymes of a Red Cross Man - http://encyclopediaindex.com/b/redcr10.htm

Henry Reed (1914 - 1986)

• Naming of Parts by Henry Reed (1914 - 1986) - http://barney.gonzaga.edu/~mquieto/papers/reed.html
• Naming of Parts by Henry Reed (1914 - 1986) - http://www.solearabiantree.net/namingofparts/namingofparts.html

I Naming of Parts by Henry Reed (1914 - 1986)

I Naming of Parts

Today we have naming of parts. Yesterday, 
We had daily cleaning. And tomorrow morning, 
We shall have what to do after firing. But today, 
Today we have naming of parts. Japonica 
Glistens like coral in all of the neighboring gardens, 
And today we have naming of parts. 

This is the lower sling swivel. And this 
Is the upper sling swivel, whose use you will see, 
When you are given your slings. And this is the piling swivel, 
Which in your case you have not got. The branches 
Hold in the gardens their silent, eloquent gestures, 
Which in our case we have not got. 

This is the safety-catch, which is always released 
With an easy flick of the thumb. And please do not let me 
See anyone using his finger. You can do it quite easy 
If you have any strength in your thumb. The blossoms 
Are fragile and motionless, never letting anyone see 
Any of them using their finger. 

And this you can see is the bolt. The purpose of this 
Is to open the breech, as you see. We can slide it 
Rapidly backwards and forwards: we call this 
Easing the spring. And rapidly backwards and forwards 
The early bees are assaulting and fumbling the flowers: 
They call it easing the Spring. 

They call it easing the Spring: it is perfectly easy 
If you have any strength in your thumb: like the bolt, 
And the breech, and the cocking-piece, and the point of balance, 
Which in our case we have not got; and the almond-blossom 
Silent in all of the gardens and the bees going backwards and forwards, 
For today we have naming of parts. 

VI. RETURNING OF ISSUE

Tomorrow will be your last day here. Someone is speaking:
A familiar voice, speaking again at all of us.
And beyond the windows - it is inside now, and autumn -
On a wind growing daily harsher, small things to the earth 
Are turning and whirling, small. Tomorrow will be
          Your last day here,

But not we hope for always. You cannot see through the windows
If they are leaves or flowers. We hope that many of you
Will be coming back for good. Silence, and stupefaction.
The coarsening wind and the things whirling upon it
Scour that rough stamping-ground where we so long
          Have spent our substance,

As the trees are spending theirs. How much of mine have I spent,
Father, oh father? How sorry we are to lose you
I do not have to say, since the sergeant-major
Has said it, the RSM has said it, and the colonel
Has sent over a message to say that he also says it.
          Everyone sorry to lose us,

And you, oh father, father, once sorry too. I think
I can honestly say you are one and all of you now:
Soldiers. Silence, and disbelief. A fact that will stand you
In pretty good stead in the various jobs you go back to.
I wish you the best of luck. Silence. And all of you know
          You can think of us here, as home.

As home: a home we shall any of you welcome you back to.
Most of you have, I know, some sort of work waiting for you,
And the rest of you now being, thanks to us, fit and able,
Will be bound to find something. I begin to be in want.
Would any citizen of this country send me
          Into his fields? And

Before I finalise: one thing about tomorrow
I must make perfectly clear. Tomorrow is clear already:
I saw myself once, but now am by time forbidden
To see myself so: as the man who went evil ways,
Till lie determined, in time of famine, to seek
          His father's home.

Autumn is later down there: it should now be the time
Of vivacious triumph in the fruitful fields.
As he approached, he ran over his speeches of sorrow,
Not less of truth for being much-rehearsed:
The last distilment from a long and inward.
          Discourse of heartbreak. And

The first thing you do, after first thing tomorrow morning,
Is, those that leave not been previously detailed to do so,
Which I think is the case in most cases, is a systematic
Returning of issue. It is all-important
You should restore to store one of every store issued.
          And in the case of two, two.

And I, as always late, shall never know that lifted fear
When the small hard-working master of those fields
Looked up. I trembled. But his heart came out to me
With a shout of compassion. And all my speech was only:
'Father, I have sinned against heaven, and am no more worthy
          To be called thy son.'

But if I cried it, father, you could not hear me now,
Where now you lie, crumpled in that small grave
Like any withering dog. Your fields are sold and built on,
Your lanes are filled with husks the swine reject.
I scoop them in my hands. I have earned no more; and more
          I shall not inherit. And

A careful check will be made of every such object
That was issued to each personnel originally,
And checked at issue. And let me be quite implicit:
That no accoutrements, impedimentas, fittings, or military garments
May be taken as souvenirs. The one exception is shirts,
          And whatever you wear underneath.

These may be kept, those that wish. But the rest of the issue
Must be returned, except who intend to rejoin
In regular service. Silence. Which involves a simple procedure
I will explain in a simple group to those that rejoin.
Now, how many will that be? Silence. No one? No one at all?
          I see. Very well. I have up to now

Spoken with the utmost of mildness. I speak so still,
But it does seem to me a bit of a bloody pity,
A bit un-bloody-feeling, after the all
We have bloody done for you, you should sit on your dumb bloody arses,
Just waiting like bloody milksops till I bloody dismiss you.
          Silence, embarrassed, but silent.

And am I to break it, father, to break this silence?
Is there no bloody man among you? Not one bloody single one?
I will break the silence, father. Yes, sergeant, I will stay
In a group of one. Father, be proud of me.
Oh splendid, man! And for Christ's sake, tell them all,
          Why you are doing this.

Why am I doing this? And is it too late to say no?
Come speak out, man: tell us, and shame these bastards.
I hope to shame no one, sergeant, in simply wishing
To remain a personnel. I have been such a thing before.
It was good, and simple; and it was the best I could do.
          Here is a man, men! Silence.

Silence, indeed. How could I tell them, now?
I have nowhere else to go? How could I say
I have no longer gift or want; or how describe
The inexplicable tears that filled my eyes
When the poor sergeant said: 'After the all
          We have bloody done for you'?

Goodbye forever, father, after the all you have done for me.
Soon I must start to forget you; but how to forget
That reconcilement, never enacted between us,
Which should have been ours, under the autumn sun?
I can see it and feel it now, clearer than daylight, clearer
          For one brief moment, now,

Than even the astonished faces of my fellows,
The sergeant's uneasy smile, the trees, the relief at choosing
To learn once more the things I shall one day teach:
A rhetoric instead of words; instead of a love, the use
Of accoutrements, impedimenta, and fittings, and military garments,
          And harlots, and riotous living.

Sir Henry Newbolt (1862 to 1938)

• Vitai Lampada - http://www.geocities.com/~spanoudi/poems/newbolt1.html | http://zeitcom.com/majgen/099vitlam.html

Vitai Lampada

There's a breathless hush in the Close to-night
   Ten to make and the match to win --
A bumping pitch and a blinding light,
   An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
   Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote
   "Play up! play up! and play the game!"

The sand of the desert is sodden red, --
   Red with the wreck of a square that broke;--
The Gatling's jammed and the colonel dead,
   And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
   And England's far, and Honor a name,
But the voice of a schoolboy rallies the ranks,
   "Play up! play up! and play the game!"

This is the word that year by year
   While in her place the School is set
Every one of her sons must hear,
   And none that hears it dare forget.
This they all with a joyful mind
   Bear through life like a torch in flame,
And falling fling to the host behind--
   "Play up! play up! and play the game!"

Alfred Lord Tennyson (1809-1892)

• The Brook - http://www.stirling.u-net.com/abbrook.htm

The Brook

I come from haunts of coot and hern, 
I make a sudden sally 
And sparkle out among the fern, 
To bicker down a valley. 

By thirty hills I hurry down, 
Or slip between the ridges, 
By twenty thorpes, a little town, 
And half a hundred bridges. 

Till last by Philip's farm I flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever. 

I chatter over stony ways, 
In little sharps and trebles, 
I bubble into eddying bays, 
I babble on the pebbles. 

With many a curve my banks I fret 
By many a field and fallow, 
And many a fairy foreland set 
With willow-weed and mallow. 

I chatter, chatter, as I flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever. 

I wind about, and in and out, 
With here a blossom sailing, 
And here and there a lusty trout, 
And here and there a grayling, 

And here and there a foamy flake 
Upon me, as I travel 
With many a silvery waterbreak 
Above the golden gravel, 

And draw them all along, and flow 
To join the brimming river 
For men may come and men may go, 
But I go on for ever. 

I steal by lawns and grassy plots, 
I slide by hazel covers; 
I move the sweet forget-me-nots 
That grow for happy lovers. 

I slip, I slide, I gloom, I glance, 
Among my skimming swallows; 
I make the netted sunbeam dance 
Against my sandy shallows. 

I murmur under moon and stars 
In brambly wildernesses; 
I linger by my shingly bars; 
I loiter round my cresses; 

And out again I curve and flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever.

• A Farewell - http://ash.xanthia.com/tennyson.html

A Farewell

 Flow down, cold rivulet, to the sea,
     Thy tribute wave deliver:
 No more by thee my steps shall be,
      For ever and for ever.

 Flow, softly flow, by lawn and lea,
      A rivulet then a river:
 Nowhere by thee my steps shall be
      For ever and for ever.

  But here will sigh thine alder tree
    And here thine aspen shiver;
 And here by thee will hum the bee,
      For ever and for ever.

A thousand suns will stream on thee,
   A thousand moons will quiver;
  But not by thee my steps shall be,
      For ever and for ever.

Israel Zangwill

The world bloodily-minded,
  The Church dead or polluted,
The blind leading the blinded,
  And the deaf dragging the muted

Gene Grabiner

A great
democracy is coming, 
perhaps helped by a flicker of
Reichstag fire, hint of Battleship Maine,
whiff of Lusitania, scent of 
Gulf of Tonkin? Yes.
o yes a great democracy where 
tongues will be

cut out, 
fingernails pulled out

and fingers chopped 
and rapes in dank
barracks. 
All who love democracy will be
treated equally. Like
the good old days, we
will have open doors.

   Gene Grabiner, 2002

Alan Seeger

• Rendezvous by Alan Seeger : http://website.lineone.net/~nusquam/rendezvu.htm

  I have a rendezvous with Death 
  At some disputed barricade, 
  I have a rendezvous with Death 
  At some disputed barricade, 
  When Spring comes back with rustling shade 
  And apple-blossoms fill the air- 
  I have a rendezvous with Death 
  When Spring brings back blue days and fair. 
  It may be he shall take my hand 
  And lead me into his dark land 
  And close my eyes and quench my breath- 
  It may be I shall pass him still. 
  I have a rendezvous with Death 
  On some scarred slope of battered hill, 
  When Spring comes round again this year 
  And the first meadow-flowers appear. 
  God knows 'twere better to be deep 
  Pillowed in silk and scented down, 
  Where love throbs out in blissful sleep, 
  Pulse nigh to pulse, and breath to breath, 
  Where hushed awakenings are dear... 
  But I've a rendezvous with Death 
  At midnight in some flaming town, 
  When Spring trips north again this year, 
  And I to my pledged word am true, 
  I shall not fail that rendezvous. 
  

T.P. Cameron Wilson

• Magpies in Picardy by T.P. Cameron Wilson : http://www.usd.edu/~tgannon/txts/wilsmag.txt

    The magpies in Picardy
    Are more than I can tell.
    They flicker down the dusty roads
    And cast a magic spell
    On the men who march through Picardy,
    Through Picardy to hell.
    
    (The blackbird flies with panic,
    The swallow goes with light,
    The finches move like ladies,
    the owl floats by at night;
    But the great and flashing magpie
    He flies as artists might.)
    
    A magpie in Picardy
    Told me secret things--
    Of the music in white feathers,
    And the sunlight that sings
    And dances in deep shadows--
    He told me with his wings.
    
    (The hawk is cruel and rigid,
    He watches from a height;
    The rook is slow and sombre,
    The robin loves to fight;
    But the great and flashing magpie
    He flies as lovers might.)
    
    He told me that in Picardy,
    An age ago or more,
    While all his feathers still were eggs,
    These dusty highways bore
    Brown, singing soldiers marching out
    Through Picardy to war.
    
    He said that still through chaos
    Works on the ancient plan,
    And two things have altered not
    Since first the world began--
    The beauty of the wild green earth
    And the bravery of man.
    
    (For the sparrow flies unthinking
    And quarrels in his flight;
    The heron trails his legs behind,
    The lark goes out of sight;
    But the great and flashing magpie
    He flies as poets might.)
  

• Shelley - Complete Poetical Works at Bartleby Library, Columbia University http://www.columbia.edu/acis/bartleby/shelley/
  • Queen Moab

  "'....I was an infant when my mother went
     To see an atheist burned. She took me there.
     The dark-robed priests were met around the pile;
     The multitude was gazing silently;
     And as the culprit passed with dauntless mien,
     Tempered disdain in his unaltering eye,
     Mixed with a quiet smile, shone calmly forth;
     The thirsty fire crept round his manly limbs;
     His resolute eyes were scorched to blindness soon;
     His death-pang rent my heart! the insensate mob  
     Uttered a cry of triumph, and I wept.
     "Weep not, child!" cried my mother, "for that man
     Has said, There is no God....."'"

• Ozymandias - by Percy Shelley
  http://www.rc.umd.edu/rchs/reader/ozymandias.html

  I met a traveller from an antique land
  Who said: "Two vast and trunkless legs of stone
  Stand in the desert. Near them on the sand,
  Half sunk, a shattered visage lies, whose frown
  And wrinkled lip and sneer of cold command
  Tell that its sculptor well those passions read
  Which yet survive, stamped on these lifeless things,
  The hand that mocked them and the heart that fed.
  And on the pedestal these words appear:
  `My name is Ozymandias, King of Kings:
  Look on my works, ye mighty, and despair!'
  Nothing beside remains. Round the decay
  Of that colossal wreck, boundless and bare,
  The lone and level sands stretch far away.
  

• "On a Stupendous Leg of Granite, Discovered Standing by Itself in the Deserts of Egypt, with the Inscription Inserted Below." by Horace Smith (composed December 27, 1817):
  http://www.rc.umd.edu/rchs/reader/smith.html

  In Egypt's sandy silence, all alone,
  Stands a gigantic Leg, which far off throws
  The only shadow that the Desert knows.
  "I am great Ozymandias," saith the stone,
  "The King of kings: this mighty city shows
  The wonders of my hand." The city's gone!
  Naught but the leg remaining to disclose
  The sight of that forgotten Babylon.
  We wonder, and some hunter may express
  Wonder like ours, when through the wilderness
  Where London stood, holding the wolf in chase,
  He meets some fragment huge, and stops to guess
  What wonderful, but unrecorded, race
  Once dwelt in that annihilated place.
  

Milton

• http://www.nyu.edu/classes/neimark/design.html

I formed them free, and free they must remain 
Till they enthral themselves: I else must change 
Their nature, and revoke the high decree 
Unchangeable, eternal, which ordained 
Their freedom; they themselves ordained their fall. 

• Casabianca by Felicia Hemans:
  http://www.members.home.net/mobrien55/boy.htm http://www.cs.cmu.edu/~mmbt/women/hemans/works/hf-burning.html

• "Notes: 1. Young Casabianca, a boy about thirteen years old, son of the admiral of the Orient, remained at his post (in the Battle of the Nile), after the ship had taken fire, and all the guns had been abandoned; and perished in the explosion of the vessel, when the flames had reached the powder."

  The Boy stood on the burning deck,
  Whence all but him had fled;
    The flame that lit the battle's wreck
       Shone round him o'er the dead.
  
     Yet beautiful and bright he stood,
   As born to rule the storm;
   A creature of heroic blood,
       A proud though childlike form.
  
    The flames rolled on; he would not go
   Without his father's word;
     That father, faint in death below,
   His voice no longer heard.
  
     He called aloud, "Say, Father, say,
    If yet my task be done'
     He knew not that the chieftain lay
     Unconscious of his son.
  
    "Speak, Father!" once again he cried,
     "If I may yet be gone"
     And but the booming shots replied,
       And fast the flames rolled on.
  
     Upon his brow he felt their breath,
     And in his waving hair,
   And looked from that lone post of death
   In still yet brave despair,
  
      And shouted but once more aloud,
    'My father! must I stay?"
  While oer him fast, through sail and shroud,
  The wreathing fires made way.
  
    They wrapt the ship in splendor wild,
  They caught the flag on high,
    And streamed above the gallant child,
    Like banners in the sky.
  
    There came a burst of thunder sound;
   The boy,-Oh! where was he?
      Ask of the winds, that far around
      With fragments strewed the sea,-
  
    With shroud and mast and pennon fair,
       That well had home their part,-
  But the noblest thing that perished there
       Was that young, faithful heart.

War

• Introduction to First World War Poetry
  • At http://info.ox.ac.uk/jtap/tutorials/intro/trench/

War

There's a soul in the Eternal,
Standing stiff before the King.
There's a little English maiden
Sorrowing.
There's a proud and tearless woman,
Seeing pictures in the fire.
There's a broken battered body
On the wire.

Charles Hamilton Sorley (1895-1915)

• When you see millions of the mouthless dead - Charles Hamilton Sorley
  • At http://www.fulgura.de/forum/messages/14.html
  • At http://home.clara.net/stevebrown/html/expeience_of_war/sorley_when_you_see_millions.htm
  • At http://www.photoaspects.com/chesil/war/mouthless.html
  • On Two Poems by Charles Hamilton Sorley : http://www.poetsforum.com/papers/403_1.html

  • With First World War Images - Charles Sorley, To Germany (1914) - Charles Sorley, When You See Millions of the Mouthless Dead (1915) : http://www.spartacus.schoolnet.co.uk/FWWsorley.htm

  • Charles Sorley is frequently regarded as a minor poet of the First World War. However, he is of particular interest because historically he was writing at the beginning of the war, yet his poems show a maturity of outlook and a realism which was out of step with most of the other poets writing at that time: http://info.ox.ac.uk/jtap/dce/powell/Index.html

  • Robert Graves Robert Graves met Charles Sorley once, when they were competing for the same scholarship at University College, Oxford, which was won by Sorley. Graves won an exhibition to Cambridge. He was serving nearby and on standby during the battle of Loos. He wrote about it:

    "Gradually the noise died down and at last a message came from the brigade that we would not be needed. It had been another dud show, chiefly notorious for the death of Charles Sorley, a twenty-year-old captain in the Suffolks, one of the three poets of importance killed during the war." (The other two being Isaac Rosenberg and Wilfred Owen.):

    http://info.ox.ac.uk/jtap/dce/powell/graves.html

When you see millions of the mouthless dead

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you'll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, "They are dead." Then add thereto,
"yet many a better one has died before."
Then, scanning all the overcrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all this for evermore.

Isaac Rosenberg (1890-1918)

• August 1914 - Isaac Rosenberg (1890-1918)
  • http://tube.tfl.gov.uk/content/metro/02/0210/10/
  • http://www.poetrysociety.org.uk/education/undpost6.htm

August 1914

What in our lives is burnt In the fire of this?
The heart's dear granary? The much we shall miss?

Three lives hath one life - Iron, honey, gold.
The gold, the honey gone - Left is the hard and cold.

Iron are our lives Molten right through our youth.
A burnt space through ripe fields, A fair mouth's broken tooth.

Arthur Symons

• A Tune - Arthur Symons (1865-1945)
  • http://www.poetrysociety.org.uk/education/undpost6.htm
  • http://www.geocities.com/Athens/Olympus/2601/symons.html

A Tune

A foolish rhythm turns in my idle head
As a wind-mill turns in the wind on an empty sky.
Why it is when love, which men call deathless, is dead,
That memory, men call fugitive, will not die?
Is love not dead? yet I hear that tune if I lie
Dreaming awake in the night on my lonely bed,
And as old thought turns with the old tune in my head
As a wind-mill turns in the wind on an empty sky.

White Heliotrope

The feverish room and that white bed,
The tumbled skirts upon a chair,
The novel flung half-open where
Hat, hair-pins, puffs, and paints, are spread;

The mirror that has sucked your face
Into its secret deep of deeps,
And there mysteriously keeps
Forgotten memories of grace;

And you, half dressed and half awake,
Your slant eyes strangely watching me,
And I, who watch you drowsily,
With eyes that, having slept not, ache;

This (need one dread? nay, dare one hope?)
Will rise, a ghost of memory, if
Ever again my handkerchief
Is scented with White Heliotrope.

Rupert Brooke (died 23rd April 1915,)

• Date: Thu, 07 Oct 1999 18:57:00 +1200
  Subject: "Golden boy poet was bisexual predator." (Headline in Sunday Times)
  To: l.cranswick@dl.ac.uk
  
  Yo Lox,
   book review in Sunday Times re: Rupert Brooke: Life, Death and Myth,
  by Nigel Jones. Contains this gem: "Brooke was a bisexual philanderer who,
  while at Rugby School, conducted affairs simultaneously with three young
  men, and at Cambridge had relationships with two beautiful sisters, cousins
  of Laurence Olivier."
  
  Turns out Brookes' first literary executor, Geoffrey Keynes, heavily edited
  Brookes' correspondence for publication in 1968.
  
  Back to Oz on Sunday.

• Refer: http://www.callanmethod.demon.co.uk/orchard/brooke.html

• The Old Vicarage, Grantchester
      (Cafe des Westens, Berlin, May 1912)
  
      Just now the lilac is in bloom,
  All before my little room;
     And in my flower-beds, I think,
     Smile the carnation and the pink;
   And down the borders, well I know,
     The poppy and the pansy blow...
  Oh! there the chestnuts, summer through,
      Beside the river make for you
    A tunnel of green gloom, and sleep
    Deeply above; and green and deep
   The stream mysterious glides beneath,
   Green as a dream and deep as death.
    - Oh, damn! I know it! and I know
   How the May fields all golden show,
   And when the day is young and sweet,
       Gild gloriously the bare feet
     That run to bathe
     Du Lieber Gott!
    Here am I, sweating, sick, and hot,
   And there the shadowed waters fresh
   Lean up to embrace the naked flesh.
     Temperamentvoll German Jews
  Drink beer around; - and here the dews
     Are soft beneath a morn of gold.
    Here tulips bloom as they are told;
    Unkempt about those hedges blows
       An English unofficial rose;
      And there the unregulated sun
   Slopes down to rest when day is done,
    And wakes a vague unpunctual star,
    A slippered Hesper; and there are
  Meads towards Haslingfield and Coton
   Where das Betrelen's not verboten.
  
  ... would I were
    In Grantchester, in Grantchester! -
     Some, it may be, can get in touch
   With Nature there, or Earth, or such.
    And clever modern men have seen
   A Faun a-peeping through the green,
    And lelt the Classics were not dead,
    To glimpse a Naiad's reedy head, 
    Or hear the Goat-foot piping low:... 
    But these are things I do not know.
       I only know that you may lie
  Day-long and watch the Cambridge sky,
    And, flower-lulled in sleepy grass,
    Hear the cool lapse of hours pass,
     Until the centuries blend and blur
     In Grantchester, in Grantchester
      Still in the dawnlit waters cool
   His ghostly Lordship swims his pool,
  And tries the strokes, essays the tricks,
    Long learnt on Hellespont, or Styx.
     Dan Chaucer hears his river still
     Chatter beneath a phantom mill.
    Tennyson notes, with studious eye,
     How Cambridge waters hurry by
    And in that garden, black and white,
  Creep whispers through the grass all night;
   And spectral dance, before the dawn, 
    A hundred Vicars down the lawn; 
   Curates, long dust, will come and go
     On lissome, clerical, printless toe;
    And oft between the boughs is seen 
      The sly shade of a Rural Dean
       Till, at a shiver in the skies,
      Vanishing with Satanic cries, 
       The prim ecclesiastic rout 
     Leaves but a startled sleeper-out,
  Grey heavens, the first bird's drowsy calls,
     The falling house that never falls.
    God! I will pack, and take a train,
    And get me to England once again! 
   For England's the one land, I know, 
  Where men with Splendid Hearts may go;
   And Cambridgeshire, of all England, 
    The shire for Men who Understand;
       And of that district I prefer 
     The lovely hamlet Grantchester.
    For Cambridge people rarely smile,
   Being urban, squat, and packed with guile;
    And Royston men in the far South
   Are black and fierce and strange of mouth;
      At Over they fling oaths at one
   And worse than oaths at Trumpington,
    And Ditton girls are mean and dirty,
  And there's none in Harston under thirty,
   And folks in Shelford and those parts 
   Have twisted lips and twisted hearts, 
  And Barton men make Cockney rhymes,
   And Coton's full of nameless crimes, 
   And things are done you'd not believe
     At Madingley, on Christmas Eve.
  Strong men have run for miles and miles,
   When one from Cherry Hinton smiles;
  Strong men have blanched, and shot their wives,
    Rather than send them to St. Ives;
  Strong men have cried like babes, bydam,
   To hear what happened at Babraham.
   But Grantehester! ah, Grantchester! 
    There's peace and holy quiet there,
     Great clouds along pacific skies,
  And men and women with straight eyes,
    Lithe children lovelier than a dream,
   A bosky wood, a slumberous stream,
     And little kindly winds that creep
    Round twilight corners, half asleep.
   In Grantchester their skins are white;
  They bathe by day, they bathe by night;
    The women there do all they ought;
  The men observe the Rules of Thought.
  They love the Good; they worship Truth;
     They laugh uproariously in youth;
    (And when they get to feeling old,
   They up and shoot themselves, I'm told)...
  Ah God! to see the branches stir Across the moon at Grantchester!
   To smell the thrilling-sweet and rotten
       Unforgettable, unforgotten
     River-smell, and hear the breeze
  Sobbing in the little trees.
    Say do the elm-clumps greatly stand
     Still guardians of that holy land?
  The chestnuts shade in reverend dream,
      The yet unacademic stream?
      Is dawn a secret shy and cold
       Anadyamene, silver-gold?
       And sunset still a golden sea
     From Haslingfield to Madingley?
     And after, ere the night is born,
     Do hares come out of the corn?
     Oh, is the water sweet and cool
    Gentle and brown above the pool?
     And laughs the immortal river still
      Under the mill, under the mill?
      Say, is therebeauty yet to find?
     And Certainty? and Quiet kind?
     Deep meadows yet, for to forget
  The lies, and truths, and pain? ...oh! yet
  Stands the Church clock at ten to three?
      And is there honey still for tea?

• The Old Vicarage, Grantchester Borkified (English-to-Swedish chef translator) - Refer: http://www.astro.queensu.ca/~dursi/borker.html

On the Countess Dowager of Pembroke Epitaphs - William Browne, of Tavistock. 1588-1643

• http://sailor.gutenberg.org/etext98/pgbev10.txt

UNDERNEATH this sable herse
Lies the subject of all verse:
Sidney's sister, Pembroke's mother:
Death, ere thou hast slain another
Fair and learn'd and good as she,
Time shall throw a dart at thee.

Edna St. Vincent Millay

• Edna St. Vincent Millay

• Conscientious Objector
  http://www.cis.ufl.edu/~ejr/poetry/Edna_St._Vincent_Millay/Conscientious_Objector.html

  I shall die, but that is all I shall do for Death.
  
  I hear him leading his horse out of the stall; I hear the
      clatter on the barn door.
  He is in haste; he has business in Cuba, business in the
      Balkans, many calls to make this morning.
  But I will not hold the bridle while he cinches the girth.
  And he may mount by himself: I will not give him a leg up.
  
  Though he flick my shoulders with his whip, I will not tell
      him which way the fox ran.
  With his hoof on my brest, I will not tell him where the
      black boy hides in the swamp.
  I shall die, but that is all I shall do for Death; I am not
      on his payroll.
  
  I will not tell him the whereabouts of my friends nor of my
      enemies either.
  Though he promise me much, I will not map him the route to
      any man's door.
  Am I a spy in the land of the living, that I should deliver
      men to Death?
  Brother, the password and the plans of our city are safe with
      me; never through me
  Shall you be overcome.

On the Tombs in Westminster Abbey - Francis Beaumont. 1586-1616

• http://sailor.gutenberg.org/etext98/pgbev10.txt

MORTALITY, behold and fear!
What a change of flesh is here!
Think how many royal bones
Sleep within this heap of stones:
Here they lie had realms and lands,
Who now want strength to stir their hands:
Where from their pulpits seal'd with dust
They preach, 'In greatness is no trust.'
Here 's an acre sown indeed
With the richest, royall'st seed
That the earth did e'er suck in
Since the first man died for sin:
Here the bones of birth have cried--
'Though gods they were, as men they died.'
Here are sands, ignoble things,
Dropt from the ruin'd sides of kings;
Here 's a world of pomp and state,
Buried in dust, once dead by fate.

Heraclitus - William (Johnson) Cory. 1823-1892

• http://sailor.gutenberg.org/etext98/pgbev10.txt

THEY told me, Heraclitus, they told me you were dead,
They brought me bitter news to hear and bitter tears to shed.
I wept as I remember'd how often you and I
Had tired the sun with talking and sent him down the sky.

And now that thou art lying, my dear old Carian guest,
A handful of grey ashes, long, long ago at rest,
Still are thy pleasant voices, thy nightingales, awake;
For Death, he taketh all away, but them he cannot take.

The Two Highwaymen - Wilfrid Scawen Blunt. b. 1840

• http://sailor.gutenberg.org/etext98/pgbev10.txt

I LONG have had a quarrel set with Time
Because he robb'd me. Every day of life
Was wrested from me after bitter strife:
I never yet could see the sun go down
But I was angry in my heart, nor hear
The leaves fall in the wind without a tear
Over the dying summer. I have known
No truce with Time nor Time's accomplice, Death.
  The fair world is the witness of a crime
Repeated every hour. For life and breath
Are sweet to all who live; and bitterly
The voices of these robbers of the heath
Sound in each ear and chill the passer-by.
--What have we done to thee, thou monstrous Time?
What have we done to Death that we must die?

Do Not Stand At My Grave And Weep

• Do Not Stand At My Grave And Weep - anonymous
  • Poetry Relating to Death - http://www.photoaspects.com/chesil/death/index.html

Do Not Stand At My Grave And Weep

Do not stand at my grave and weep;
I am not there, I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.

Ernest H Crosby (1856 - 1907) (American Anti-Imperialist)

• War and Hell - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.photoaspects.com/chesil/war/war_and_hell.html
  • Anti-Imperialist Writings by Ernest H. Crosby : http://www.boondocksnet.com/crosby/

War and Hell - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).

There is 'great rejoicing at the nation's capital'. So says the 
morning's paper.
The enemy's fleet has been annhilated.
Mother's are delighted because other mothers have lost sons
just like their own;
Wives and daughters smile at the thought of new-made
widows and orphans;
Strong men are full of glee because other strong men are
either slain or doomed to rot alive in torments;
Small boys are delirious with pride and joy as they fancy
themselves thrusting swords into soft flesh, and
burning and laying waste such homes as they
themselves inhabit;
Another capital is cast down with mourning and
humiliation just in proportion as ours is raised up, and
This is life - this is patriotism - this is rapture!
But we - what are we, men or devils? and our Christian
capital - what is it but an outpost of Hell?

• The Real "White Man's Burden" - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.boondocksnet.com/kipling/crosby.html

The Real "White Man's Burden"

Take up the White Man's burden; 
Send forth your sturdy sons, 
And load them down with whisky 
And Testaments and guns. 
Throw in a few diseases 
To spread in tropic climes, 
For there the healthy niggers 
Are quite behind the times.

And don't forget the factories. 
On those benighted shores 
They have no cheerful iron-mills 
Nor eke department stores. 
They never work twelve hours a day, 
And live in strange content, 
Altho they never have to pay 
A single cent of rent.

Take up the White Man's burden, 
And teach the Philippines 
What interest and taxes are 
And what a mortgage means. 
Give them electrocution chairs, 
And prisons, too, galore, 
And if they seem inclined to kick, 
Then spill their heathen gore.

They need our labor question, too, 
And politics and fraud, 
We've made a pretty mess at home; 
Let's make a mess abroad. 
And let us ever humbly pray 
The Lord of Hosts may deign 
To stir our feeble memories, 
Lest we forget -- the Maine.

Take up the White Man's burden; 
To you who thus succeed 
In civilizing savage hoards 
They owe a debt, indeed; 
Concessions, pensions, salaries, 
And privilege and right, 
With outstretched hands you raise to bless 
Grab everything in sight.

Take up the White Man's burden, 
And if you write in verse, 
Flatter your Nation's vices 
And strive to make them worse. 
Then learn that if with pious words 
You ornament each phrase, 
In a world of canting hypocrites 
This kind of business pays.

• The Epitaph - Ernest H Crosby - (American Anti-Imperialist) Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.boondocksnet.com/crosby/epitaph.html

The Epitaph

Above his grave they raised a stone 
That towered toward the sky, 
And on it they carved in shadows deep 
These words that held mine eye:

"Here lies a patriot soldier bold, 
Who at his country's call 
With joy laid down his youthful life; 
Sweet is it thus to fall."

That night by the ghostly moonlit stone 
We saw an angel stand, 
And he wiped that labored legend out 
With a sweep of his silver hand.

Then with a finger that seemed to glow 
Like a flame that was pale and blue 
He traced a single white-hot word 
That scorched us through and through.

"Angel of Truth," we cried, aghast 
(How did we know his name?), 
"What means upon our hero's tomb 
This word of burning shame?

"Was he a 'traitor' who fought so well 
Against his nation's foe-- 
A 'traitor,' who gave his life's red blood 
When his country bade it flow?"

"He was a traitor," like a bell 
Of silver Truth replied: 
"Traitor to more than country's call 
Or patriot's loyal pride--

"Traitor to freedom when he sought 
To subjugate the free-- 
Traitor to love when, steeped in hate, 
He crossed the distant sea--

"Traitor to conscience when he stilled 
Its cry of pain within-- 
Nay, traitor to his country too 
For helping her to sin."

Back toward the stars the angel rose, 
And when he disappeared 
We chiseled out that shameful word, 
Tho deep the stone was seared,

And once again we carved the lines 
Which told our hero's deed. 
So deep and clear the words appear 
That he who runs may read.

And there they stay until this day 
To publish his renown, 
For, tho we feared the angel's wrath, 
He never again came down.

Yet, when I read those deep-cut lines, 
Between them and behind 
I see aflame another name 
That burns into my mind.

Traitor to freedom, truth and love, 
Traitor to good and right-- 
What patriot boast can save his soul 
Who falls in such a fight? 

• Rebels - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.boondocksnet.com/crosby/rebels.html

Rebels

Shoot down the rebels--men who dare 
To claim their native land! 
Why should the white invader spare 
A dusty heathen band?

You bought them from the Spanish king, 
You bought the men he stole; 
You bought perchance a ghastlier thing-- 
The Duke of Alva's soul!

"Freedom!" you cry, and train your gun 
On men who would be freed, 
And in the name of Washington 
Achieve a Weyler's deed.

Boast of the benefits you spread, 
The faith of Christ you hold; 
Then seize the very soil you tread 
And fill your arms with gold.

Go, prostitute your mother-tongue, 
And give the "rebel" name 
To those who to their country clung, 
Preferring death to shame.

And call him "loyal," him who brags 
Of countrymen betrayed-- 
The patriot of the money-bags, 
The loyalist of trade.

Oh, for the good old Roman days 
Of robbers bold and true, 
Who scorned to oil with pious phrase 
the deeds they dared to do--

The days before degenerate thieves 
Devised the coward lie 
Of blessings that the enslaved receives 
Whose rights their arms deny!

I hate the oppressor's iron rod, 
I hate his murderous ships, 
But most of all I hate, O God, 
The lie upon his lips!

Nay, if they still demand recruits 
To curse Manila Bay, 
Be men; refuse to act like brutes 
And massacre and slay.

Or if you will persist to fight 
With all a soldier's pride, 
Why, then be rebels for the right 
By Aguinaldo's side!

• The Military Creed - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.boondocksnet.com/crosby/creed.html

The Military Creed

The American Admiral in command at Samoa was asked what he thought of expansion. He is reported to have answered, "I do not think; I obey orders."

Captain, what do you think," I asked, 
"Of the part your soldiers play?" 
The captain answered, "I do not think-- 
I do not think--I obey. "

"Do you think you should shoot a patriot down 
And help a tyrant slay?" 
The captain answered, "I do not think-- 
I do not think--I obey."

"Do you think that your conscience was meant to die 
And your brains to rot away?" 
The captain answered, " I do not think-- 
I do not think--I obey."

"Then if this is your soldier's code," I cried, 
"You're a mean, unmanly crew, 
And with all your feathers and gilt and braid 
I am more of a man than you;

"For whatever my lot on earth may be, 
And whether I swim or sink, 
I can say with pride, 'I do not obey-- 
I do not obey--I think!'"  

• The Flag - Ernest H Crosby (American Anti-Imperialist) - Swords and Plowshares (New York: Funk and Wagnalls, 1902).
  • At http://www.boondocksnet.com/crosby/flag.html

The Flag

Who has hauled down the flag?

Is it the men who still uphold 
The principles for which it stood; 
Who claim that ever as of old 
Freedom is universal good?

Or is it those who spurn the way 
That Washington and Lincoln trod; 
Who seek to make the world obey, 
And long to wield the master's rod?

Who boast of freedom, but prepare 
Shackles and chains for distant shores, 
Who make the flag the emblem there 
Of all that Liberty abhors ?

These have hauled down the flag! 

James Russell Lowell

• Once to every man and nation:
  http://www.cyberhymnal.org/htm/o/n/oncetoev.htm | http://www.geocities.com/~spanoudi/poems/lowell02.html

  Once to every man and nation, comes the moment to decide,
  In the strife of truth with falsehood, for the good or evil side;
  Some great cause, some great decision, offering each the bloom or blight,
  And the choice goes by forever, ’twixt that darkness and that light.
  
  Then to side with truth is noble, when we share her wretched crust,
  Ere her cause bring fame and profit, and ’tis prosperous to be just;
  Then it is the brave man chooses while the coward stands aside,
  Till the multitude make virtue of the faith they had denied.
  
  By the light of burning martyrs, Christ, Thy bleeding feet we track,
  Toiling up new Calv’ries ever with the cross that turns not back;
  New occasions teach new duties, ancient values test our youth;
  They must upward still and onward, who would keep abreast of truth.
  
  Though the cause of evil prosper, yet the truth alone is strong;
  Though her portion be the scaffold, and upon the throne be wrong;
  Yet that scaffold sways the future, and behind the dim unknown,
  Standeth God within the shadow, keeping watch above His own.

Coda - Dorothy Parker (1893-1967)

• Coda: http://ash.xanthia.com/Parker.html

             Coda

There's little in taking or giving,
There's little in water or wine;
This living, this living, this living,
Was never a project of mine.

O hard is the struggle and sparse is
The gain of the one at the top,
For art is a form of catharsis,
And love is a permanent flop.

And work is the province of cattle,
And rest's for the clam in the shell,
So I'm thinking of throwing the battle -
Would you kindly direct me to Hell?

Richard Cory by Edward Arlington Robinson (1869-1935)

• Richard Cory: http://ash.xanthia.com/richardcory.html

          Richard Cory

Whenever Richard Cory walked downtown
We people on the pavement looked at him:
He was a gentleman from soul to crown,
Clean favored and imperially slim.

And he was always quietly arrayed,
And he was always human when he talked ; 
But still, he fluttered pulses when he said,
"Good morning," and he glittered when he walked.

And he was rich -- yes, richer than a king --
And admirably schooled in every grace:
In fine, we thought he was everything
To make us wish we were in his place.

So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head. 

• Part of a Poem by Alexander Pope Describing William Diaper:
  http://athena.english.vt.edu/~drad/NereidesTitle.html

"Then Hill tried, but hardly snatch'd from sight,
Instant buoys up, and rises into light;
He bears no token of the sabler streams,
And mounts far off, among the swans of Thames.
Far worse unhappy Diaper succeeds,
He search'd for coral, but he gather'd weeds.

Alexander Pope, from The Dunciad (1728) ll. 283-88"

• The Dunciad - Alexander Pope :
  http://www.blackmask.com/books64c/dunciadcomp.htm
• From the Dunciad - Alexander Pope :
  http://www.web-books.com/Classics/Poetry/Anthology/Pope/Dunciad.htm

In vain, in vain - the all-composing hour
Resistless falls: The Muse obeys the power.
She comes! she comes! the sable throne behold
Of Night primeval, and of Chaos old!
Before her, Fancy's gilded clouds decay,
And all its varying rainbows die away.
Wit shoots in vain its momentary fires,
The meteor drops, and in a flash expires.
As one by one, at dread Medea's strain,
The sickening stars fade off th' ethereal plain;
As Argus' eyes by Hermes' wand oppressed,
Closed one by one to everlasting rest;
Thus at her felt approach, and secret might,
Art after Art goes out, and all is Night.
See skulking Truth to her old cavern fled,
Mountains of Casuistry heaped o'er her head!
Philosophy, that leaned on Heaven before,
Shrinks to her second cause, and is no more.
Physic of Metaphysic begs defence,
And Metaphysic calls for aid on Sense !
See Mystery to Mathematics fly!
In vain! they gaze, turn giddy, rave, and die.
Religion blushing veils her sacred fires,
And unawares Morality expires.
Nor public Flame, nor private , dares to shine;
Nor human Spark is left, nor Glimpse divine !

Lo! thy dread Empire, Chaos! is restored;
Light dies before thy uncreating word:
Thy hand, great Anarch! lets the curtain fall;
And universal Darkness buries All. 

Alexander Pope, from The Dunciad (1728)"

• The Riddle of the World - Alexander Pope :
  http://www.cs.rice.edu/~ssiyer/minstrels/poems/39.html

Know then thyself, presume not God to scan
The proper study of Mankind is Man.
Placed on this isthmus of a middle state,
A Being darkly wise, and rudely great:
With too much knowledge for the Sceptic side,
With too much weakness for the Stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a God, or Beast;
In doubt his mind and body to prefer;
Born but to die, and reas'ning but to err;
Whether he thinks to little, or too much;
Chaos of Thought and Passion, all confus'd;
Still by himself, abus'd or disabus'd;
Created half to rise and half to fall;
Great Lord of all things, yet a prey to all,
Sole judge of truth, in endless error hurl'd;
The glory, jest and riddle of the world.

     -- Alexander Pope

A message from your steward

Welcome to the World
Enjoy your Life
Live as you may
Die with Dignity

Tea will be served shortly.

Also refer to Extracts from "Egypt, Greece and Rome Civilizations of the Ancient Mediterranean" by Charles Freeman (Pub. 1999)

• Poetry/Writing extracts from two Ancient Romans; from:

  The Ascent of Science - Brian L. Silver, 1998
      ISBN 0-19-511699-2
      Page 179

  "I hate and I love,
  And if you ask why,
  I have no answers, but I discern,
  Can feel, my senses rooted in eternal torture."
   Catullus

  • Also refer another translation, Poetry of Galius Valerius Catullus (includes the original Latin):
    • Homepage: http://www.xs4all.nl/~negen/catullus2.htm
    • About Galius Valerius Catullus: http://www.xs4all.nl/~negen/aboutcat.htm
    • http://www.xs4all.nl/~negen/text2/e85.htm

    "I hate and I love. Why I do this, perhaps you ask.
    I do not know, but I felt it to be done to me and I am tortured."
    
    Catullus
    
    ------------
    
       I hate and I love: why I do so you may well ask.  I do not know, but I feel
       it happen and am in agony.
    
            -Catullus
    

    "Catullus, in oft quoted lines, perhaps expresses the real view of the majority of cultivated Romans of his time: --"

        Suns may set and suns may rise,
        But we, when once our brief light dies,
        In one long night must close our eyes.

  • Poetry of Catullus survived unlike Archilochos or Sappho
    • Archilochos: #2: honor is not found in armor, and appearance is not important in battle.

  • Catullus: Some Poems in Translation
    • http://www.middlebury.edu/~harris/Translations/Catullus.html
    • TRANSLATION AS ART : http://www.middlebury.edu/~harris/SubIndex/translations.html

• "When human life was still oppressed, suffocated with the dead 
  weight of Religion, which had come down from the Heavens, 
  terrifying and hovering over mortal men, it was then that 
  a Greek had the courage to raise his eyes, mortal eyes, 
  and look Religion boldly in the face.  He was cowed neither 
  by the reputations of the Gods, nor the thunderbolts of 
  Heaven; their threats only sharpened his resolve to smash 
  down the gates that guard the secrets of the Natural World.  
  And his driving energy carried him through to victory.  He 
  passed beyond the diery regions surrounding the Earth
  and roamed in through through the immeasurable universe.  And 
  he returned in triumph, bringing back the spoils of victory, 
  explaining what is possible and what is not, what governs
  the potentialities of matter, and what are the deep and 
  inherent limits that dwell in all things.  And Religion was 
  trampled underfoot.  One man's victory put us on a level 
  with the Gods."
  Titus Lucretius Carus - writing on Epicurus
  
  "Lucretius, "On the Nature of the Universe ". Trans, by Ronald Latham.
  Penguin Books, 1951."